Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Believing a German spy has killed her new husband (Franchot Tone), Suzy, a struggling chorus girl (Jean Harlow) flees to Paris where she meets and marries a WWI pilot (Cary Grant) whose carefree ways brings about unexpected results.
Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is... See full summary »
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
Dynamic Alan Gaskell captains a ship bound from Hong Kong to Singapore. Gaskell tries to turn over a new leaf from his hard-drinking lifestyle after becoming re-attached to a refined high class English lady, Sybil Barclay. His former girlfriend Dolly is extremely jealous of the budding relationship and tries hard to get the Captain back. He is apparently unimpressed with her loud, obnoxious, and uncivilized manners, even though she is extremely beautiful. After a temporary takeover of the ship by gold-seeking Asian pirates, Captain Gaskell must deal with the fact that Dolly and her drinking pal, Jamesey MacArdle, are implicated in the crime. Written by
Gary Jackson <email@example.com>
Rollicking fun with the MGM sheen at its height. Jean and Gable were always a great match and they continue here as a doxy and a ship's captain. The script is serviceable enough to not stretch belief too far, what is more fantastic is that Jean would be traveling on a China tug in white satin no matter how striking it is, same goes for Clark in his white captain uniform but that's Metro for you. This is the last of Jean's true brassy platinum blonde roles. For the short time she had left in her regrettably too brief career she softened her look and her roles were heading to the more ladylike end of the spectrum, for instance Wife vs. Secretary. Rosalind Russell is just starting out here too stuck in one of what she referred to as her Lady Mary roles, full of good diction and the graaaand manner her great flair for comedy wouldn't be tapped for several years, she's fine but knowing what she's capable of she feels constrained. The rest of the cast is terrific with Wally Beery and Robert Benchley standing out in full bodied characterizations. Keep in mind that this was made in the 30's so racism and sexism are on full display in a very casual way.
3 of 3 people found this review helpful.
Was this review helpful to you?