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Ceiling Zero (1936)

7.0
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Ratings: 7.0/10 from 438 users  
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War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »

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Title: Ceiling Zero (1936)

Ceiling Zero (1936) on IMDb 7/10

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Cast

Cast overview, first billed only:
...
...
Jake L. Lee
June Travis ...
Tommy Thomas
...
Texas Clarke
...
Al Stone
Henry Wadsworth ...
Tay Lawson
Martha Tibbetts ...
Mary Miller Lee
...
Lou Clarke
Craig Reynolds ...
Joe Allen
Dick Purcell ...
Smiley (as Dick Purcell)
...
Eddie Payson
Addison Richards ...
Fred Adams
Garry Owen ...
Mike Owens
Edward Gargan ...
Doc Wilson
Robert Light ...
Les Bogan
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Storyline

War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with Texas. Texas' plane crashes attempting to land on their airfield under extremly bad weather circumstances, he is killed in this accident. Dizzy feels guilty for his friend's death and takes the next flight under even worse circumstances, testing a new anti-ice device on the plane. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

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Plot Keywords:

texas | pilot | war veteran | airline | weather | See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

16 January 1936 (USA)  »

Also Known As:

Ceiling Zero  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

(1935). Stage Play: Ceiling Zero. Written by Frank Wead. Scenic Design by John Root. Directed by Antoinette Perry. Music Box Theatre: 10 Apr 1935- Jul 1935 (closing date unknown/104 performances). Cast: John Bohn, John Boruff, Geoffrey Bryant, Chester Clute (as "Baldy Wright"), John Drew Colt (as "Dick Peterson"), Joseph Downing, Walter Greaza (as "Al Stone"), Gladys Griswold, Alan Hale (as "Tay Lawson"), John F. Hamilton, Nedda Harrigan (as "Mary Lee"), Walter Hill, John Huntington, Hope Lawder, John Litel (as "Dizzy Davis"), Osgood Perkins (as "Jake Lee"), Margaret Perry (as "Tommy Thomas"), Philip Remar, Grandon Rhodes, G. Albert Smith, Ben Starkie, James Todd. Produced by Brock Pemberton. Note: Produced by Warner Brothers as a James Cagney vehicle [in the role originated on stage by John Litel], Ceiling Zero (1936) (USA release in mid January 1936). See more »

Connections

Referenced in Let's Stalk Spinach (1951) See more »

Soundtracks

Dear Old Pal of Mine
(uncredited)
Music by Gitz Rice
Lyrics by Harold A. Robe
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User Reviews

 
Not vintage, but still Hawks!
17 November 2005 | by (Belfast, NI) – See all my reviews

'Ceiling Zero' fits quite neatly into the central part of his 'oeuvre'. The classical Hawks' hero is honourable and heroic, but flawed. 'Dizzy' Davis fits firmly and squarely into this archetype. His womanising and recklessness precedes him, and is the cause on one of the film's twin tragedies. But this is offset by daring and bravery that is 'de rigeur' for mail pilots of the era. It is very rarely in films of this era that the 'hero' could still be the villain with just a few minutes to go, but that is effectively the case here. As in many of Hawks' finest films, the opening sequence serves as a contrasting miniature morality play that sets the ensuing drama into focus. Here it is a cowardly pilot who, lost in poor visibility, bails out of his plane without thought for the financial consequences for his employers. It is no accident that the company at the heart of the film is 'Federal Airlines'. Many of Hawks' films make exquisite political allegories, and this is no exception. Read the 'fog' as the Great Depression, Dizzy as the reckless aspect of the American entrepreneurial spirit and Jake as The President…

But there is more… psychologically it works a treat too. Jake and Dizzy share the same heroic wartime background. It emerges that they share the same taste in women too. To some extent, they represent two aspects of the same character – it is significant that during the climactic moments of Texas' final approach to the airfield, they keep switching roles, with first one then the other taking charge of the situation. Both of them also show the same moral flexibility – Dizzy by exchanging places with Tommy's boyfriend, Jake by being willing to distort his professional judgement to save Dizzy's flying career.

In spite of all of this, 'Ceiling Zero' cannot really be placed at the same level as the truly great Hawks masterpieces – El Dorado, To Have & Have Not, Bringing Up Baby and, significantly, Only Angels Have Wings. At the end of the film, one doesn't feel that one has really known the characters. But, considering its vintage, it is an entirely worthy work that gives us clear indications of the wonders to come.

It should be absolutely essential viewing for anyone wishing to acquaint themselves with the an important work of one of America's greatest artists, in any discipline, of the twentieth century. Another interesting parallel is Ford's 'Air Mail'which has a similar story also originating in Frank Wead.


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