Seventy-two hours in the life of Indiana man Bud who inherits money and heads for New York City where his cousin Gibbony introduces him to chorus girl Vida for whom he falls. When a girl is... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
Frank Patton is the promoter of the Lucky Legs Contest. The problem is that he always skips town before paying the $1000 to the winner. Mr. Bradbury, suitor of Cloverdale winner Margie, hires intoxicated Perry Mason to find Frank. Perry knows the scheme that Patton is using and has Spudsy find him, but Frank is dead when Perry arrives. The how is a surgeons scalpel, but the who is not yet known. Written by
Tony Fontana <email@example.com>
In the trailer Patricia Ellis is described as "She's the mystery girl in 'The Case of the Lucky Legs,' and all her brains are BELOW the knees. When she steps out, the fun begins." See more »
When Mason enters Patton's apartment, he locks the entry door from the inside so his search won't be disturbed. After finding the body, Mason exits the apartment into the hall, and the entry door is once again unlocked. See more »
[to Bradbury and Spudsy in the restaurant]
Well, there's no one I'd rather pin this killing on than a doctor.
See more »
The most "unlike" Perry Mason, but a very funny film
I wonder what the younger audiences thought who saw the first Perry Mason movies in the 1930s, and then saw the Perry Mason TV series that began in 1957. Were they disappointed by the changed character and his venue? As some people seem to be today with the earlier films those being people who grew up on the TV series that starred Raymond Burr. A number of other viewers have related that author Erle Stanley Gardner didn't like the direction, scripts and characters of his first books put on film. And this one, "The Case of the Lucky Legs," got his ire up the most. Supposedly, that led to his eventual efforts to serialize his stories on TV.
So, now we're stuck watching with the audience of 1935 this third film about Perry Mason, and the third starring Warren William. We've already seen considerable changes in character and his venue in these three films. He started off with a big office, law partners and his own investigative staff. In Lucky Legs, he's almost down and out, and a one-man show, but with sidekicks and friends.
This third film is the weakest of the mystery genre, mostly because the mystery is almost lost in the comedy. Indeed, there's so much comedy here, that the mystery is clearly an adjunct to the comedy with all its antics, witty exchanges and hilarious scenes. On second thought, the comedy may well have been invited because the mystery in this film is not that good or complicated. Plus, Warner Brothers had seen by then the success that MGM had with "The Thin Man," and how audiences loved the comedy of the Nick and Nora Charles mystery.
This film opens with a changed Perry from the earlier two films. He's a boozer whose health is in jeopardy. So, his friend, a doctor down the hall (played wonderfully by Olin Howland) prescribes rest and puts him on a heavy liquid diet that excludes anything alcoholic. Perry asks, "Are there any other liquids?" Della (played to maximum hilarity by Genevieve Tobin) replies, "Milk." Perry says, "Milk. You mean that unpalatable by-product of the cow?" Doctor Croker (Olin Howland) says, "Exactly! No excitement whatsoever, and no stimulants." Perry: "Did you get that, Miss Street? No stimulants and no excitement. I'll have to get rid of you." Della: "Thank you, you flatterer."
This film in places borders both on slapstick and on screwball comedy. It doesn't quite get there for either sub-genre, but the result is a mix of all types of humor with nice doses of slapstick and screwball throughout. Perry is at his height here for flirting and womanizing, but this is done only by insinuation and suggestion.
I rate this film a notch lower than the first two of the series because I think it loses its mystery appeal. To the point that the comedy almost dismisses the crime of murder. But, as a very good comedy, this film stands on its own. Here are some snippets of dialog to tickle one's funny bone.
District Attorney: "Bizzy, why do your men always arrive at the scene of a crime just after Mason?" Police Chief: "Well, I suppose it's because before they decide to a commit a murder, they hire Perry Mason to defend 'em."
Police Sergeant: "Who was that on the phone?" Della: "The garbage man. I told him to send up enough for four."
Airport steward: "I dropped him in a bus for the Lakeview Hotel." Perry: "You haven't got a lake here, have you?" Steward: "No, but the hotel has beds for you lie down on." Perry: "That's a very clever remark." One can see that the other two men are almost cracking up which leads me to think that there may well have been some impromptu lines at times especially from Warren William, that the director kept in the film. One has to love and laugh at exchanges like this. A Lakeview Hotel, but no lake. And that's OK because the hotel still has beds.
In a scene toward the end, Della is exhausted and is lying on the office sofa with her head turned toward the sofa back. Perry unlocks his back door and enters the room. Without turning her head to look at Perry, Della says, "Come right in and sit down, please. If you're looking for Mr. Mason, I don't know when the gentleman will be back." Perry says, "The gentleman is here." Della replies, "Oh, ha, don't lie to me. You're no gentleman. You're Perry Mason."
2 of 2 people found this review helpful.
Was this review helpful to you?