Gambler and bookmaker "Odds" Owen decides that the insurance racket is a business that offers better odds and less risk, and this appeals to him and he sets up shop. He underwrites anything... See full summary »
A professor comes up with a system to win at roulette, and goes to the famous casino at Monte Carlo to try it out. When he turns up murdered and his "system" missing, a reporter sets out to find the killer--and the system.
Raised in seclusion to be the epitome of mental, physical and moral perfection, Gerald Beresford Wicks is resigned to following his grandmother's wishes until a chance encounter with Mona Carter leads him into the outside world.
After giving the District Attorney another stinging defeat, Perry plans to take a vacation in China. That is, he was, until Rhoda, his old flame, meets him at a restaurant. Even though she says that she is asking for a friend, Perry can see right through her. It seems that her husband Moxley, who had been allegedly dead for four years, is alive and demanding money as she has married into wealth. The case escalates when the police find the body of Moxley and charge her with the murder. Written by
Tony Fontana <email@example.com>
In The Case of the Curious Bride (1935), one of Errol Flynn's earliest films, his role consisted of lying on a marble slab as a corpse. There was also a flashback sequence towards the end of the film showing how Flynn was killed. The film in question has appeared at least twice on Turner Classic Movies during Errol Flynn festivals despite his very limited (certainly less than two minutes) screen time. See more »
When Mason walks into Moxley's house and walks up the stairs, there is a beautiful French window behind him, but when his car pulls away later, as seen from the outside, there is no matching french window. See more »
Coroner Wilbur Strong:
[to assistants as he is entering the morgue with Mason and Spudsy]
Get three slabs ready - I'm bringing friends!
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There seems to be a wide divergence of opinion on the quality or otherwise of this one, whether it's poor and dull or witty and fast. I plump for the latter, even though Warners' portrayal of the lawyer left something to be desired, turning him into potentially yet another run of the mill private eye for the b market. But the production values in this were pretty high and it was directed by Michael Curtiz with panache.
Woman comes to Perry Mason played again by William Warren for help because her first husband she thought dead has come back to shake her and her new rich husband down. Her first husband gets his instead, from then on the game is on to find whodunit and why, with some witty if sometimes improbable plot twists along the way. From the outset with Perry and his laconic coroner friend buying lobsters for the creation of a new gastronomic sensation to Errol Flynn's flashback appearance it carries you along on a tide of incessant lighthearted repartee and swift soft focus fade out's and in's. Typecast Allen Jenkins plays Perry's helper the brash and loyal Spudsy in what must be one of his finest performances ever, he weaves in and out of the story as a perfect counterpoint to his boss. Favourite bits: The all-too-short scenes in Luigi's restaurant on that "nutty night"; Perry and the coroner's continual smart ass one liners; the cosy relationship depicted between Perry and the newspaper men; Jenkins getting knocked out by the 2nd husband; Flynn's bit.
It should be a great watch for fans of b&w 30's detective films (and maybe screwball comedies too), I certainly have always enjoyed this 2nd entry in the series. But not to be taken too seriously.
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