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Cardinal Richelieu (1935)

Approved | | Drama, History, Romance | 28 April 1935 (USA)
The cunning Cardinal Richelieu must save King Louis XIII from treachery within his inner circle.

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(play) (as Sir Edward Bulwer-Lytton), (adaptation) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
Lenore di Brissac
...
...
Count Andre de Pons
...
Count Baradas
Francis Lister ...
Prince Gaston
Halliwell Hobbes ...
Violet Kemble Cooper ...
Queen Marie
...
Robert Harrigan ...
Fontrailles
Joseph R. Tozer ...
De Bussy (as Joseph Tozer)
...
...
Le Moyne
Keith Hitchcock ...
Duke D'Epernon (as Keith Kenneth)
Murray Kinnell ...
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Storyline

The cunning Cardinal Richelieu must save King Louis XIII from treachery within his inner circle.

Plot Summary | Add Synopsis

Taglines:

To thwart a king's passion, he gambled the fate of a nation!

Genres:

Drama | History | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 April 1935 (USA)  »

Also Known As:

Kardinal Richelieu  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(copyright length) | (FMC Library Print)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the film, Richelieu is depicted doting on his cat, Mistigris (the 'Joker' in a pack of cards). By the 18C, his fondness for cats had become an established part of his legend. It has been claimed that he had at least 14 cats at the time of his death in 1642: Gazette, Rubis sur l'Ongle, Pyramus and Thisbe (inseparable), Serpolet (Wild Thyme), Felimare, Soumise, Lucifer, Ludovic le Cruel, Lodoïska, Mimi-Paillon (possibly previously Mademoiselle de Gournay's cat), Mounard le Fougueux, Perruque and Racan (twins, allegedly born in the academician Racan's wig), and Gavroche. The cat which figures in the posters for this film is black, and does not resemble the screen Mistigris, who appears to be a fluffy calico. See more »

Connections

Referenced in Love on the Run (1936) See more »

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User Reviews

 
The Day Of Dupes
18 October 2014 | by (Buffalo, New York) – See all my reviews

Armand Du Plessis, the Duke Of Richelieu and also a Cardinal of the Church of Rome remains to this day a fascinating historical figure. He was in addition to being a Prince of the Church was the first minister to King Louis XIII of France. He was legendary for his cunning and his power grabbing. Richelieu has come down to us as a villain as a result of Alexandre Dumas's classic novel The Three Musketeers. In point of fact anyone who was looking to rise in France at the time buddied up with Richelieu. He said himself he had no enemies, but the enemies of France.

Cardinal Richelieu the film is adapted from an old 19th century play by British author Edward Bulwer-Lytton and in America the great actor and first real American stage matinée idol Edwin Forrest originated the role. A man like George Arliss whose style of acting stemmed from two centuries ago was the perfect choice to play Richelieu as realized by Bulwer- Lytton.

The play covers the period before and during an incident known as the Day Of Dupes when Richelieu managed to bag all his court rivals in a treasonous plot against him and his master Louis XIII played here by Edward Arnold. It may not have happened that way on film, but history records he was unchallenged at court until almost his death.

Leading the plot is Douglass Dumbrille and it involved the Dowager Queen Violet Kemble-Cooper, the current Queen Katharine Alexander and the idiot second son Gaston who is unforgettably played by Francis Lister. Gaston was every bit the idiot that Lister plays him as.

Handling the romantic interest is Richelieu's ward Maureen O'Sullivan and young noble Cesar Romero in one of his earliest roles. Romero is dashing and brave, but a bit of a fat head who gets in turn manipulated by Dumbrille and then Arliss.

The Three Musketeers has done dirt to Cardinal Richelieu's reputation. Though this film comes from a play out of the romantic era that also produced The Three Musketeers it shows Richelieu in a better and more true light. Arliss might be old fashioned for today's taste, but I think his performance is grand.


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