Joe and Fay Wilson are a happily married vaudeville team. But when a reporter discovers, that one of the chorus girls in the troupe is a slightly eccentric heiress, who bugs sometimes out ... See full summary »

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(screen play), (screen play) | 3 more credits »
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Cast

Complete credited cast:
...
...
Fay Wilson
Patricia Ellis ...
Claire Whitmore
William Gargan ...
Dan Wheeler
Joseph Cawthorn ...
Oscar Schlemmer
Henry O'Neill ...
J.C. Anderson
Arthur Treacher ...
Wilbur
Gordon Westcott ...
Wellington
Joseph Crehan ...
Post Office Attendant
...
Detective
The Maxellos ...
Acrobat Act
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Storyline

Joe and Fay Wilson are a happily married vaudeville team. But when a reporter discovers, that one of the chorus girls in the troupe is a slightly eccentric heiress, who bugs sometimes out to do something strange (e.g. being a chorus girl in vaudeville), the manager decides that Joe had to do is act on Broadway -with the heiress- and the heiress falls in love with him, his marriage is threatened. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

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The most spectacular hit he's every made! (original ad) See more »

Genres:

Comedy | Music

Certificate:

Approved
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Details

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Release Date:

27 July 1935 (USA)  »

Also Known As:

Broadway Joe  »

Company Credits

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 »
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Technical Specs

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Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Featured in Daffy Duck in Hollywood (1938) See more »

Soundtracks

Nobody Cares If I'm Blue
(1935) (uncredited)
Music by Harry Akst
Lyrics by Grant Clarke
Sung by Patricia Ellis
Also danced by Joe E. Brown
See more »

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User Reviews

Shimmering early Joe E. Brown rags-to-riches
29 January 2003 | by (Colorado) – See all my reviews

If seen as a comedy, this one doesn't have enough laughs, but as a showbiz boy-gets-famous-and-cheats-on-wife tale, it works. Brown is fantastic as a brash, egotistical jokester who rises to the top. The photography is great with director Berkely in top form when he's shooting vaudeville routines from directly overhead. Some of the antics look like they were made up on the spot, and the final scene where Brown returns to see his wife's performance is like something done by Fellini.


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