A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us.... See full summary »
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. Written by
John Oswalt <firstname.lastname@example.org>
When filming the scene where the monster emerges from the burnt windmill, Boris Karloff slipped and fell into the water-filled well. Upon being helped out, it was discovered that he had dislocated a hip in the fall. The hip was strapped into place and Karloff soldiered on. He continued to receive massage and heat treatments for the hip for the rest of the shooting of the film. See more »
When Henry visits Dr. Pretorius, Pretorius shows Henry his menagerie of homunculi. Pretorius says, "I have to keep my eye on the King." He then covers both King and Queen's glass jars with a dark cloth sheath. But after panning to the Arch Bishop's glass jar, the King and Queen are inexplicably uncovered again, whereupon the King climbs out of his jar and onto the table. See more »
[looking out the window at a thunderstorm]
How beautifully dramatic! The cruelest savage exhibition of nature at her worst without.
[turns to face Mary and Percy Shelley, both seated]
And we three. We elegant three within. I should like to think that an irate Jehovah was pointing those arrows of lightning directly at my head. The unbowed head of George Gordon, Lord Byron. England's greatest sinner. But I cannot flatter myself to that extent. Possibly those thunders are for ...
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The closing credits have the heading "A good cast is worth repeating". See more »
Universal Studio in the height of the Hollywood Studio System was famous for three things that kept it in the black besides those famous studio tours that survive to this day. The Deanna Durbin musicals, the Abbott&Costello comedies and those great Gothic horror films with Dracula, The Wolfman, The Mummy and most of all Mary Shelley's Frankenstein. Those sets were used over and over again, you can recognize them if you're a real student of the genre.
Although some have criticized it, I rather like the beginning of Bride of Frankenstein in a Regency drawing room where the creative minds of Lord Byron, Percy Shelley, and Mary Shelley are meeting. Of course the subject gets around to how she would continue the story, it just can't end right there. So while Gavin Gordon as Byron and Douglas Walton as Percy Shelley listen, Elsa Lanchester as Mary Shelley starts to tell about the further doings of her characters.
Of course Colin Clive as Victor Frankenstein thought dead when he was brought out of the ruin, turns out to be alive, but in need of medical attention. The monster is also not dead, he's been put together even stronger than an ordinary human. As is first two victims he kills the parents of the little girl he killed in the original Frankenstein film.
While Clive is recuperating at home under the care of his wife played here by Valerie Hobson, Clive receives a visit from his former teacher and mentor who originally aroused his interest in experiments along this line. Ernest Thesiger is Doctor Praetorious, a scientist whose reputation is more dubious than that of Frankenstein. He's been experimenting with bringing people back to life and he shows his little creations to Frankenstein. What he describes sounds a lot like cloning Mini Mes as Doctor Evil did. But DNA was not heard of back in the early 19th century.
He thinks they ought to combine there efforts and create a female back from the dead to be a mate for the Frankenstein monster. Who knows if the big guy gets a little something something at home, maybe he won't have quite such a bad attitude. When the monster after wreaking havoc again on the countryside is finally back in the Frankenstein laboratory, he insists on a 'friend' for himself. It's a real mess that Clive has gotten himself in again.
Bride Of Frankenstein with that incredible climax when the monster tries to court his bride will still give you frights for weeks on watching it. The Gothic horror atmosphere that James Whale created on the Universal sets is still capable of creeping one out.
Boris Karloff did not repeat his monster role after this and Colin Clive died in 1937 before the next Frankenstein film was made. Still the cycle may have been the most successful of all the Universal monster franchises. It certainly my favorite of all of them.
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