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The Bride of Frankenstein (1935)

Bride of Frankenstein (original title)
Not Rated | | Drama, Horror, Sci-Fi | 19 April 1935 (USA)
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Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.

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Writers:

(suggested by: the original story written in 1816 by) (as Mary Wollstonecraft Shelley), (adapted by) | 2 more credits »
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Nominated for 1 Oscar. Another 2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
The Monster (as Karloff)
...
...
...
...
Gavin Gordon ...
Douglas Walton ...
...
E.E. Clive ...
Lucien Prival ...
O.P. Heggie ...
...
Reginald Barlow ...
Mary Gordon ...
Anne Darling ...
Shepherdess (as Ann Darling)
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Storyline

Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

A BRIDE FOR THE MONSTER COMES TO LIFE IN A SCIENTIST'S LABORATORY! (original print ad - all caps) See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

19 April 1935 (USA)  »

Also Known As:

Frankenstein Lives Again!  »

Box Office

Budget:

$397,024 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Noiseless Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

There was an epilogue to this movie featuring Elsa Lanchester as Mary Shelley, but it was cut from the final film. See more »

Goofs

When Henry and Dr. Pretorius exit the carriage, Henry is carrying a walking stick. A moment later, as they climb the outside stairs, the walking stick is gone. See more »

Quotes

[first lines]
Lord Byron: Prologue
[looking out the window at a thunderstorm]
Lord Byron: How beautifully dramatic! The cruelest savage exhibition of nature at her worst without.
[turns to face Mary and Percy Shelley, both seated]
Lord Byron: And we three. We elegant three within. I should like to think that an irate Jehovah was pointing those arrows of lightning directly at my head. The unbowed head of George Gordon, Lord Byron. England's greatest sinner. But I cannot flatter myself to that extent. Possibly those thunders are for ...
[...]
See more »

Crazy Credits

The closing credits have the heading "A good cast is worth repeating". See more »

Connections

Referenced in Dave's Old Porn: Bill Burr/Nina Hartley (2011) See more »

Soundtracks

Frühlingslied (Spring Song) Op.62 #6
(1842) (uncredited)
Written by Felix Mendelssohn-Bartholdy
Danced by Kansas DeForrest
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Great Classics of the Genre
8 April 2005 | by (Biloxi, Mississippi) – See all my reviews

Interestingly, Whale did not want to make a sequel to his incredibly successful 1931 FRANKENSTEIN, and bowed to studio pressure only when he received assurance of absolute control. The result is perhaps his most personal film--a strange collage of Gothic horror, black humor, religious motifs, and sexual innuendo--and one of the great classics of the genre.

The plot elaborates an idea contained in the Mary Shelly novel: Frankenstein is pressured to create a mate for the monster. In Shelly's novel, the doctor eventually balks; in the film, however, he sees the experiment through due to a mix of his own obsession and the manipulations of a new character, Dr. Pretorious, and the two create the only truly iconographic female monster in the film pantheon of the 1930s horror film: "The Bride," brilliantly played by Elsa Lanchester.

The cast is excellent throughout, with Colin Clive and Boris Karloff repeating their roles and Frankenstein and the monster, and Valerie Hobson an able replacement for Mae Clarke in the role of Elizabeth; Ernest Thesiger and Una O'Connor also give incredibly memorable performances as the truly strange Pretorius and the constantly hysterical maid Minnie. The art design is remarkable, and the Waxman score is justly famous. But the genius of the film lies not so much in these new and bizarre characters, in the familiar ones, or in the production values: it is in the way in which Whales delicately balances his elements and then subverts them.

FRANKENSTEIN owes much of its power to its directness--it has a raw energy that is difficult to resist, still more difficult to describe. But THE BRIDE OF FRANKENSTEIN owes its power to its complexity. Nothing here is quite what it appears to be, and throughout the film we constantly receive mixed messages about the characters and implications of their situations. While Thesiger's Dr. Pretorius is justly celebrated as a covert gay icon of the darkest possible variety, and while many people quickly grasp Whale's often subversive use of Christian imagery, the film has many, many layers that do not reveal themselves upon a single viewing.

The single most startling sequence, at least to my mind, is the famous scene in which the Monster stumbles into the lonely cottage of the blind hermit, a role beautifully played by O.P. Heggie. On the surface, the sequence would seem to be about how cruelly we judge people by appearances, and how true kindness can lift the fallen. It was not until I had seen the film several times that it dawned upon me that Whale has essentially endowed the a scene with a host of covertly homosexual overtones--and then tied them to a series of Christian elements for good measure. It is startling, to say the least.

The current Universal DVD release is exceptional, and the film is supported with an interesting documentary and a still more interesting audio commentary track. Critics and fans continue to battle of whether FRANKENSTEIN or THE BRIDE is the better film--but I say they are so completely different that the question simply doesn't arise. Whatever the case, if you are a fan of 1930s horror and James Whale in particular, this is a must own see, must own.

Gary F. Taylor, aka GFT, Amazon Reviewer


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