In this screwball comedy a WW2 US pilot bombs a Japanese aircraft carrier, is assumed to be dead, and then is misquoted in the press as fondly remembering his days back home walking his dog... See full summary »
The work of a progressive female psychiatrist and her colleague at a mental hospital is threatened by the arrival of a conservative new supervisor, who disapproves of both her methods and the fact that she is a woman in a "man's field."
Gregory La Cava
Christopher Price, a small-town bank executive, continues to be loyal to and idolize his boyhood friend, Joseph Jefferson Parker, a famous war correspondent. But Chris's wife, Mary, is none... See full summary »
Young lovers fall afoul of repressive society as Salem elders get caught up in the witch hunts and trials of 17th century Massachusetts. One family in particular uses the hysteria to its ... See full summary »
A woman whose husband never came home from World War I finds herself in love with her doctor. She travels with him to Switzerland, and as they check into the hotel there, she is astounded to see her supposedly dead husband.
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its initial television broadcast took place in Los Angeles Friday 9 January 1959 on KNXT (Channel 2). It was released on DVD 25 April 2011. See more »
[explaining his duties to Claudette Colbert as bodyguard to Robert Young]
He starts fights, and I finish them.
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I watched in amazement (and admiration) as three talented stars gave their all to breathe life into Claude Binyon's amateurish script. The dialog in this love-triangle lacks that special ingredient that made screwball comedy such a delight. Elisabeth Holding, who wrote the story, had better luck with such noir classics as the excellent Reckless Moment (1949). There is nothing clever or ingratiating about this movie and I'm amazed that it got any further than the garbage can. Colbert offers her usual pep. MacMurray is excellent and not bad on the eye. Robert Young tries too, but ends up being just plain irritating. I've never seen a Colbert film that I didn't want to watch twice. Now I have.
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