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The Black Room (1935)

 -  Crime | Horror  -  15 July 1935 (USA)
7.0
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Ratings: 7.0/10 from 931 users  
Reviews: 44 user | 21 critic

Ignoring an ancient prophecy, evil brother Gregor seeks to maintain his feudal power on his his Tyrolean estate by murdering and impersonating his benevolent younger twin.

Director:

(as R. William Neill)

Writers:

(screenplay), (screenplay), 1 more credit »
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Cast

Complete credited cast:
...
Marian Marsh ...
Thea Hassel
Robert Allen ...
Lt. Albert Lussan
Thurston Hall ...
Col. Paul Hassel
Katherine DeMille ...
Mashka (as Katherine de Mille)
John Buckler ...
Beran
Henry Kolker ...
Baron Frederick de Berghman
Colin Tapley ...
Lt. Paul Hassel
Torben Meyer ...
Peter
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Storyline

Prophecy has it that younger twin Anton will kill brother Gregor in the castle's Black Room. Anton returns to the castle after a 10 year hiatus. Gregor, a Baron, has many attempts on his life as his subjects detest his tyranny. However, good natured Anton earns the subjects' respect, and the admiration of Col.Hassel, uncle of the beautiful Thea. When Gregor kills young servant Mashka, his subjects storm the castle to remove him. Devious Gregor renounces his title in favour of brother Anton to appease them. He then kills Anton to assume his identity and the Baronship again. He is free to pursue Thea with Col.Hassel's blessing. When Col.Hassel discovers Gregor's impersonation, he also meets death. With Thea's true love, Lt. Lussan, wrongfully convicted of Hassel's murder, it appears nothing can stop evil Gregor from ambushing her into marriage. But what of that prophecy? Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Plot Keywords:

prophecy | baron | twins | castle | servant | See more »

Taglines:

Karloff Reveals... What the Grave Conceals! See more »

Genres:

Crime | Horror

Certificate:

Unrated
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Details

Country:

Language:

Release Date:

15 July 1935 (USA)  »

Also Known As:

Crna soba  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Karloff's performance was voted runner-up to the best performance for the month of August, 1935 by the Screen Actors' Guild. Henry Fonda in "The Farmer takes a wife" and Will Rogers in "Steamboat 'Round the bend" tied for the top award. See more »

Goofs

The film is set in the early 1800s, yet a statue of St. Therese of Lisieux (Therese Martin) is prominently displayed in the castle three times (at 17:26, 40:09, and 47:08). Therese Martin was not born until 1873. Furthermore, no statue of St. Therese was made or displayed until after she was canonized, in 1925. See more »

Quotes

Baron Gregor de Bergmann: [as Anton lies dying in the well of the Black Room] Goodbye, brother. There's nothing to fear now. The prophecy can't be fulfilled.
Anton de Bergmann: [With certitude] It will be fulfilled!
Baron Gregor de Bergmann: Perhaps you will come back from the dead to kill me?
Anton de Bergmann: [Dying words] Even from the dead!
See more »

Connections

Referenced in Spooks Run Wild (1941) See more »

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User Reviews

One of Karloff's best performances
19 August 2004 | by (Seattle) – See all my reviews

Boris Karloff only made a handful of movies that demonstrated he had some real range as an actor, and of that handful, THE BLACK ROOM has to rate as one of the best. In this work, Karloff plays twin brothers of a family of aristocrats. The older brother Gregor is a nasty piece of work. He is the titular head of the family of land barons, and has long developed a reputation for brutality in the region he governs. His estate is notorious for having disappeared several young women. Anton, the younger of the twins, is a cosmopolitan sort, has been away travelling and studying for many years. Both men are haunted by a family prophecy, in which the younger of the two twins is supposed to slay the older in order to complete a family curse, which apparently began in the "black room" of the film's title.

The room itself was ordered sealed shortly after the birth of the twins in order to avert a repeat of the tragedy. Unbeknownst to the villagers, Gregor has found a hidden passage into the black room, and it is the torture pit of the room where he disposes of the bodies of his victims.

Anton, the younger brother, returns home upon the urging of his brother Gregor, who has, after several attempts on his life, realized that he must step aside in order to calm the people down. Gregor has in mind a phoney abdication in which he seems to step aside in favor of his twin. His actual plan is to murder Anton, and to continue to reign in Anton's identity, in his own twist on the family curse. He falls over his own hubris for a number of personal reasons, but before film's end, he manages to indulge in a round of crafty Karloffian mayhem.

Karloff plays both the monstrous and benign brothers, but in addition, he portrays the nasty brother imitating the gentle one. That's what makes this piece fun. Seventy minutes of the grand old man of the gothics at his best. I've probably seen it about thirty times now, and it holds up well.


23 of 24 people found this review helpful.  Was this review helpful to you?

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