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The Black Room (1935)

 -  Crime | Horror  -  15 July 1935 (USA)
7.0
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Ratings: 7.0/10 from 962 users  
Reviews: 44 user | 21 critic

Ignoring an ancient prophecy, evil brother Gregor seeks to maintain his feudal power on his his Tyrolean estate by murdering and impersonating his benevolent younger twin.

Director:

(as R. William Neill)

Writers:

(screenplay), (screenplay), 1 more credit »
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Cast

Complete credited cast:
...
Marian Marsh ...
Thea Hassel
Robert Allen ...
Lt. Albert Lussan
Thurston Hall ...
Col. Paul Hassel
Katherine DeMille ...
Mashka (as Katherine de Mille)
John Buckler ...
Beran
Henry Kolker ...
Baron Frederick de Berghman
Colin Tapley ...
Lt. Paul Hassel
Torben Meyer ...
Peter
Edit

Storyline

Prophecy has it that younger twin Anton will kill brother Gregor in the castle's Black Room. Anton returns to the castle after a 10 year hiatus. Gregor, a Baron, has many attempts on his life as his subjects detest his tyranny. However, good natured Anton earns the subjects' respect, and the admiration of Col.Hassel, uncle of the beautiful Thea. When Gregor kills young servant Mashka, his subjects storm the castle to remove him. Devious Gregor renounces his title in favour of brother Anton to appease them. He then kills Anton to assume his identity and the Baronship again. He is free to pursue Thea with Col.Hassel's blessing. When Col.Hassel discovers Gregor's impersonation, he also meets death. With Thea's true love, Lt. Lussan, wrongfully convicted of Hassel's murder, it appears nothing can stop evil Gregor from ambushing her into marriage. But what of that prophecy? Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Plot Keywords:

prophecy | baron | twins | castle | servant | See All (79) »

Taglines:

HE WAS A DEMON OF DEATH -- ...WHOSE MYSTERIOUS CHAMBERS HELD GRUESOME SECRETS! (original print ad - all caps) See more »

Genres:

Crime | Horror

Certificate:

Unrated
Edit

Details

Country:

Language:

Release Date:

15 July 1935 (USA)  »

Also Known As:

Crna soba  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Part of the SON OF SHOCK package of 20 titles released to television in 1958, which followed the original Shock Theater release of 52 features one year earlier. This was also one of the 11 Columbia titles, the other 61 all being Universals. See more »

Goofs

When Col. Hassell arrives at the inn to meet Anton near the beginning, there is no glass on the carriage window when the carriage arrives at the inn. There is also no sign of broken glass when the carriage arrives at the castle, but a shot is fired through the carriage's glass window en route. See more »

Quotes

Mashka: Don't you want to kiss me?
Baron Gregor de Bergmann: [Cutting a juicy pear with his knife and eating it as he talks] A pear is the best fruit!
Mashka: Every time you see her, you want to be rid of me.
Baron Gregor de Bergmann: [Seemingly ignoring her] Lots of juice in a pear!
Baron Gregor de Bergmann: Well, you'll find out I'll not be got rid of so easily! Do you hear what I say?
Baron Gregor de Bergmann: Adam should've chosen a pear.
Mashka: You've got it all planned, haven't you? You're gonna marry her. You're gonna make her your wife, your baroness!
Baron Gregor de Bergmann: I like the feel of a pear! And when you're through with it...
[...]
See more »

Connections

Featured in 100 Years of Horror: Boris Karloff (1996) See more »

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User Reviews

Karloff at his best
4 September 2001 | by (Chicago, Illinois, USA) – See all my reviews

I must agree with the other posts on this site, Karloff is excellent here. In fact, this is just about the best example of his acting skill I've come across. In this film, he is not just a generic Halloween ghoul, but shows a very nice range of characterization, as he plays twin brothers who are polar opposites. The film is beautiful to look at, and well paced and plotted. Even if you see the ironic ending coming at you a mile and a half away, it's still fun to anticipate it.

Incidentally, is it just me, or does the loud brass fanfare that occurs in the title sequence, and throughout the film at dramatic moments, sound like part of the song "Come Rain or Come Shine" ("days may be cloudy or sunny...")? I just found it a bit distracting to suddenly picture Judy Garland in my mind at all the most tense and dramatic moments of the story.


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