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Biography of a Bachelor Girl (1935)

6.1
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Ratings: 6.1/10 from 160 users  
Reviews: 4 user | 1 critic

Everyweek Newsmagazine editor Richard Kurt pursues psuedo-portait artist Marion Forsythe on her arrival from Europe after painting (and possibly being involved with) notables all over the ... See full summary »

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(play), (additional dialogue), 1 more credit »
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Title: Biography of a Bachelor Girl (1935)

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Cast

Complete credited cast:
Ann Harding ...
...
...
Leander 'Bunny' Nolan
...
Mr. 'Feydie' Feydak
Una Merkel ...
Slade Kinnicott
Charles Richman ...
Mr. Orrin Kinnicott
Greta Meyer ...
Minnie, Marion's Maid
Willard Robertson ...
Grigsby, the Process Server
...
Mr. Irish, Moose Village General Store
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Storyline

Everyweek Newsmagazine editor Richard Kurt pursues psuedo-portait artist Marion Forsythe on her arrival from Europe after painting (and possibly being involved with) notables all over the continent. He convinces her to write her biography as a feature for his magazine. An old "beau" of hers also looks her up in New York; he is running for U.S. Senator from their home state, and is engaged to an influential publisher's daughter. He is fearful that Marion's tales could embarass him, so he tries to persuade her and Kurt to abandon the idea. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved
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Details

Country:

Language:

Release Date:

4 January 1935 (USA)  »

Also Known As:

Confissões de uma Solteira  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Biography," the play by S.N. Behrman, opened in New York on 12 December 1932. See more »

Quotes

Richard 'Dickie' Kurt: Would you mind having your jitters after I leave?
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User Reviews

 
Lady Ann
26 May 2006 | by (New York, NY) – See all my reviews

She's nearly forgotten today, but Ann Harding was a true cinema aristocrat in the '30s, a movie star who didn't look like one (she wore practically no makeup) but was lovely all the same. She didn't act like one, either. Here, she's a free- thinking artist (referred to by other characters as "Bohemian," and it's clearly an insult) whose projected tell-all autobio is going to put an old flame's political career in jeopardy, and she's so obviously more intelligent than any of her co- players that you can't take your eyes off her. Calm, ladylike, and vaguely amused by her surroundings, she's a lot like her contemporary Irene Dunne, but less forced. The movie, from a smart S.N. Behrman stage comedy, is a civilized affair where characters bat around words like "propinquity" without flinching and the slowish pacing feels right. Perfect it's not, particularly in the male casting: Robert Montgomery, as her perpetually dissatisfied editor, doesn't stint on the character's unlikability, which leaves one rooting only halfheartedly for their romance to alight. And Edward Everett Horton, as her compromised ex-beau, isn't believable for a moment, being so obviously... Edward Everett Horton. On the other hand, Edward Arnold, the screen's best Evil Plutocrat of the '30s, is here a quiet, sympathetic spurned beau, and completely charming. It's a pleasant journey back to a time where the general public was more sophisticated, though without Ms. Harding's presence, it wouldn't add up to nearly as much.


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