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Becky Sharp (1935)

 -  Drama | Romance | War  -  28 June 1935 (USA)
6.1
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Ratings: 6.1/10 from 540 users  
Reviews: 24 user | 10 critic

Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a "show biz" ... See full summary »

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Title: Becky Sharp (1935)

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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Frances Dee ...
...
...
Alison Skipworth ...
...
...
G.P. Huntley ...
George Osborne (as G.P. Huntley Jr.)
William Stack ...
George Hassell ...
William Faversham ...
Charles Richman ...
Doris Lloyd ...
Colin Tapley ...
Leonard Mudie ...
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Storyline

Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a "show biz" family, or in other words, very low class. Becky manages to insinuate herself in Amelia's family and gets to know all their friends. From this possibly auspicious- beginning, she manages to ruin her own life, becoming sick, broke, and lonely, and also ruins the lives of many other "loved ones". In the movie we get to see the class distinctions in England at the time, and get a sense of what it was like for the English military at the time of the Napoleonic wars. Written by Lisa Grable

Plot Summary | Add Synopsis

Genres:

Drama | Romance | War

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

|

Release Date:

28 June 1935 (USA)  »

Also Known As:

Lady of Fortune  »

Box Office

Budget:

$950,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-issue)

Sound Mix:

(RCA Victor High Fidelity System)

Color:

(Cinecolor) (re-release prints)| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

After the tremendous success of the short La Cucaracha (1934), John Hay Whitney and his cousin Cornelius Vanderbilt Whitney formed Pioneer Pictures to produce color films, of which this was the first. See more »

Goofs

In the final scenes, Becky is living in a drab furnished room that is clearly shown to be on the second floor. However, once in the room, a look through a window shows people walking on the street - at the same level as the room itself. See more »

Connections

Referenced in Münchhausen: Ein mythos in Agfacolor (2005) See more »

Soundtracks

Young Molly Who Lives at the Foot of the Hill
(1760)
Traditional
Sung by Miriam Hopkins at the cabaret
See more »

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User Reviews

The use of colour within Becky Sharp makes it worth viewing.
8 February 2003 | by (Portsmouth, England) – See all my reviews

"Becky Sharp" seems to have consistently attracted unfair comments. Whilst it may not be as subtle as many of its contemporary counterparts, the story provides a fun basis for a glorious use of Technicolor. As the first feature length movie to be shot in full colour, the film is a wonderful example of cinema as spectacle. Though admittedly, at times, the viewer may almost be sent cross-eyed by the vibrancy of the colour, its use is interesting in so far as one can see the attempts made at one level to exhibit the colour, whilst also trying in vain not to distract from the narrative. Also, from the beginning of the opening sequence the status of the film as a stage adaptation is clear, and in this way the idea of the now overlooked tradition of cinema as spectacle is further enhanced.

The plot itself is slightly reminiscent of a Gainsborough melodrama (although it precedes them), and yet it is refreshing in many ways that Becky is not the subject of the traditional narrative retribution and resolution. The over-the-top nature of some of the narrative action does provide moments which may cause an audience member to cringe; however, if the film is not taken too seriously, it remains enjoyable.

"Becky Sharp" has too often been overlooked in the history of film. It may not have been widely popular at the time of its release, and it may not be seen within a high cinematic cannon, but it is definitely worth viewing, if only to appreciate the emergence of three colour film as the new advancement in film technology.


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