Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She...
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The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a "show biz" ... See full summary »
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
The work of a progressive female psychiatrist and her colleague at a mental hospital is threatened by the arrival of a conservative new supervisor, who disapproves of both her methods and the fact that she is a woman in a "man's field."
Gregory La Cava
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael. Written by
Ed Stephan <firstname.lastname@example.org>
There were constant struggles between Miriam Hopkins and Edward G. Robinson during the shooting of the movie. She constantly changed her lines and tried to upstage and unsettle Robinson's performance. After two weeks they had to shoot a scene where Robinson had to slap his co-star. He did just that, but put such force in it that she fell to the ground. After a pause the crew began to cheer, fed up as they were with Hopkins' antics. See more »
Mary 'Swan' Rutledge:
I see a lot of fog and a few lights. I like when life's hidden. Gives you a chance to imagine nice things. Nicer than they are.
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"You don' t think they call me 'Old Atrocity' for nothing, do you?"
Walter Brennan plays "Old Atrocity," and he brings a lot of comedy to this lively drama doing his signature old codger (never mind he was 41 at the time). Also fun, of course, is the MacArthur/Hecht screenplay, which actually manages to capture the outlaw feeling of Gold Rush days at the Golden Gate. Moody lighting and foggy sets help.
But I enjoyed "Barbara Coast" for something else entirely: the pairing of Edward G. Robinson and Joel McRea. Both are among the most attractive film actors of all time but for reasons as different as they are.
Short (5'5"), dark, raised in Bucharest and New York City, Edward G. (for Goldenberg) Robinson looks nothing like a matinée idol. Nevertheless, he didn't just star in films, he commanded the screen, even when his co-star was Bogart or Bette Davis, James Stewart or Marlene Dietrich, Orson Welles or Barbara Stanwyck. He handled as wide a variety of roles as anyone, ever: He's famous for violent gangsters ("Little Caesar"), but he was every bit as good as a tragic lead ("Bullets for Ballots"); as film noir characters from villains ("Key Largo"), to dupes ("Scarlett Street"), to heroes ("Night has a Thousand Eyes"); in biography (Dr. Paul Ehrlich); in comedy ("Larceny, Inc."); and he was also a spectacular character actor ("Double Indemnity"). The list is almost endless-- except for musicals-- because his career spanned seven(!) decades.
I'll watch Robinson in anything.
Tall (6'3"), blond and blue-eyed, born in Southern California, Joel McRea is as gorgeous a man as ever faced a camerabut he had very little range. He could affect a few things-- steely determination, boyish charm, and thoughtful confusion were comfort zones-- but his face almost never changed except to smile a bit from time to time. Never mind; he was a precursor to very, very long list of pretty boys who became competent actors, from Valentino through Erroll Flynn and Steve McQueen to Brad Pitt.
I'll watch McRea in anything, too.
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