Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She...
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Edward G. Robinson,
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael. Written by
Ed Stephan <firstname.lastname@example.org>
There were constant struggles between Miriam Hopkins and Edward G. Robinson during the shooting of the movie. She constantly changed her lines and tried to upstage and unsettle Robinson's performance. After two weeks they had to shoot a scene where Robinson had to slap his co-star. He did just that, but put such force in it that she fell to the ground. After a pause the crew began to cheer, fed up as they were with Hopkins' antics. See more »
Mary 'Swan' Rutledge:
I see a lot of fog and a few lights. I like when life's hidden. Gives you a chance to imagine nice things. Nicer than they are.
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"I've got this title boys now go and write me a movie."
Apparently Sam Goldwyn picked the words Barbary Coast as a title then called in his writers and told them to write a story. That was the way they did things at Hollywood studios in the thirties.
This is actually a pretty entertaining movie that catches some of the anything goes atmosphere of San Francisco in gold rush days.Edward G. Robinson is miscast (and has to wear some peculiar costumes) in his role as a bad guy but he gives it everything he's got and some of his scenes are quite effective. Miriam Hopkins is very good as a gold digger of the non mining kind and Joel Mcrea as her hearts desire spouts some poetic dialogue quite eloquently.
Good drama of the typically Hollywood kind.
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