Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
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Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael. Written by
Ed Stephan <firstname.lastname@example.org>
Joel McCrea's role was initially intended for Gary Cooper, See more »
Mary 'Swan' Rutledge:
I like the fog. I like this new world. I like the noise of something happening. No, San Francisco is no place for a bad loser, man or woman. Dan Morgan was a bad loser. I'm not. I'm staying. I'm tired of dreaming, Colonel Cobb. I'm staying. I'm staying and holding out my hands for gold. Bright yellow gold.
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Somewhat run-of-the-mill period piece combining characters and story points probably seen to better effect elsewhere. I could accept E. G. Robinson in his role as a swaggering casino owner in his puffy shirt and earring (and severe sidechops), and he leavens his evildoing with a little bit of pathos in his yearning for a woman who will love him for himself. Poor sap hasn't learned that having people shot in the back is a poor way to impress a woman. Miriam Hopkins does a fine job, mostly, but she sometimes uses her eyebrows to punctuate her dialog a little too much. Hawks should have told her to tone down the brow action a little. The opening sequence as the ship pulls into a fog-enshrouded San Francisco Bay is beautifully shot.
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