The married Anna Karenina falls in love with Count Vronsky despite her husband's refusal to grant a divorce, and both must contend with the social repercussions.
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An attractive Russian spy seduces an Austrian officer in order to get some important plans, but when she actually falls in love with him, both of them are placed in a dangerous situation.
Director:
Fred Niblo
Stars:
Greta Garbo,
Conrad Nagel,
Gustav von Seyffertitz
An amnesiac World War I vet falls in love with a music hall star, only to suffer an accident which restores his original memories but erases his post-War life.
This version of the Tolstoy classic lingers longer in Moscow during the weeks that follow the initial meeting of the starstruck lovers-to-be Vronsky and Anna Karenina. The story -- as it unfolds -- also focuses on Kitty, a young woman who is related to Anna's sister-in-law whose marital rift has brought Anna to Moscow. Until Anna shows up, Kitty had hopes of getting Vronsky, who is single and well connected, to propose to her. Ignored by Vronsky, Kitty turns her attention to another suitor, a man who seems to have a lot in common with Tolstoy. Written by
Dale O'Connor <daleoc@interaccess.com>
In a separately filmed trailer sequence, Freddie Bartholomew talks to the audience and tells them about the picture. See more »
Goofs
Shadows of equipment are visible in the scene where Karenin confronts Anna. See more »
Quotes
Anna Karenina:
You say this knowing this I cannot do. There is no life for me without my child. To leave him would be infamous and base. I couldn't. And you know I couldn't.
Karenin:
Very well. I can assume, then, that you will never again jeopardize my honor.
Anna Karenina:
Oh, your honor! Your selfishness! Your hypocrisy! Your egotism! You've never considered me as a human being. Your social position and... your reputation. These must be kept up at what cost to those who are around you? At what cost?
Karenin:
[Checking his pocket watch]
...
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Garbo earned the first NYC Film Critics Best Actress Award for this performance and she is fine, totally believable as the happily married wife and mother who permits an obsessed count to destroy her life. The production values are first rate with some very impressive moments: the opening tracking shot down the table laid with food, the ball where cinematography, sound recording and editing all work together to seamlessly convey scads of dialogue (it must have been hell choreographing this), the meeting in the shadow and light filled garden by the pool, Garbo's entrance first seen behind a screen filled with steam (note Vivien Leigh's similar entrance in STREETCAR). Completely absorbing from start to finish and very worth your attention. Formerly available on MGM/UA video (now out of print) and just released on DVD to coincide with Garbo's birth centenary (9/05).
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Garbo earned the first NYC Film Critics Best Actress Award for this performance and she is fine, totally believable as the happily married wife and mother who permits an obsessed count to destroy her life. The production values are first rate with some very impressive moments: the opening tracking shot down the table laid with food, the ball where cinematography, sound recording and editing all work together to seamlessly convey scads of dialogue (it must have been hell choreographing this), the meeting in the shadow and light filled garden by the pool, Garbo's entrance first seen behind a screen filled with steam (note Vivien Leigh's similar entrance in STREETCAR). Completely absorbing from start to finish and very worth your attention. Formerly available on MGM/UA video (now out of print) and just released on DVD to coincide with Garbo's birth centenary (9/05).