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Anna Karenina (1935)

Passed  |   |  Drama, Romance  |  25 December 1935 (Italy)
7.1
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Ratings: 7.1/10 from 3,591 users  
Reviews: 33 user | 27 critic

The married Anna Karenina falls in love with Count Vronsky despite her husband's refusal to grant a divorce, and both must contend with the social repercussions.

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(from the novel by) (as Count Leo Tolstoy) , (screen play), 2 more credits »
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Title: Anna Karenina (1935)

Anna Karenina (1935) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
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Freddie Bartholomew ...
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Phoebe Foster ...
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Gyles Isham ...
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Harry Beresford ...
Sarah Padden ...
Cora Sue Collins ...
Tania
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Storyline

This version of the Tolstoy classic lingers longer in Moscow during the weeks that follow the initial meeting of the starstruck lovers-to-be Vronsky and Anna Karenina. The story -- as it unfolds -- also focuses on Kitty, a young woman who is related to Anna's sister-in-law whose marital rift has brought Anna to Moscow. Until Anna shows up, Kitty had hopes of getting Vronsky, who is single and well connected, to propose to her. Ignored by Vronsky, Kitty turns her attention to another suitor, a man who seems to have a lot in common with Tolstoy. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Plot Keywords:

marriage | love | train | divorce | russia | See All (51) »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

25 December 1935 (Italy)  »

Also Known As:

Ana Karenina  »

Filming Locations:

 »

Box Office

Budget:

$1,152,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In a separately filmed trailer sequence, Freddie Bartholomew talks to the audience and tells them about the picture. See more »

Goofs

During the steeple chase, when Count Vronsky and his mount fail to make the jump, a segment from another race is edited into the film depicting the fall. In the film, Vronsky is wearing his white uniform jacket and dark pants and cap before and after the spill. The clip inserted depicts a jockey wearing white pants and dark silks. See more »

Quotes

Vronsky: I love your frown when you concentrate.
Anna Karenina: [playing croquet] How do you expect me to make this shot if you talk to me?
See more »

Connections

Remade as The River of Love (1961) See more »

Soundtracks

Eugene Onegin, Op. 24)
(1879) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Libretto by Konstantin Shilovsky, Pyotr Ilyich Tchaikovsky and Modest Tchaikovsky
Based on the novel by Alexander Pushkin
Opera Excerpts performed at the theater
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A nice version of a tremendous novel
26 September 2005 | by (Lisbon, Portugal) – See all my reviews

This version of Anna Karenina has little resemblance with Tolstoi novel. In the first place, for it's simplicity. While Tolstoi novel is a complex portrait of Russian society in the end of the nineteenth century, the movie is a rather simple melodrama, in which the complex and dense characters of the novel, Levin, Kitty, Dolly and Stiva are mere extras. Anyway, I think that is impossible to make a film of 2 or 3 hours about Anna Karenina. Only on a mini format we can show the whole complexity of the plot and the emotional variations of the characters. Having that in mind, we can say that the film is very acceptable. It is not a master piece, but considering it's old age of 70 years, we can see it we some pleasure (I voted a 6). The director, Clarence Brown, begins the movie in the best way. The plan of the feast table, tracked by the camera, in which the table seems to be endless is excellent. Also, the ball is magnificent, showing all the luxury and lavishness in which the Russian high society lived those days. To all this magnificent MGM production is not minor the role of David O'Selznick. On the other hand, Greta Garbo does one more of her equal performances of alike characters. Can someone see any difference between Mata Hari, Queen Christine, Marguerite Gauthier or Anna Karenina? Only in the scenes with Freddie Bartholomew, in which she untie herself and smile, we can see that if she was allowed, she could have made other kind of characters, becoming a more versatile actress and getting a higher level on her actress career. The choice of Fredric March as Vronsky seems to me a enormous casting error. His Vronsky could nor enchant a woman and much lesser make her abandon house, husband, son and be a society pariah for the rest of her life. The performances of the supporting actors are very good, with an highlight for the young Freddie Bartholomew, for Basil Rathbone as Karenin and for May Robson as Vronsky's mother.


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I would love to rate this higher iamweaver
Basil Rathbone was wonderful in this film TheLittleSongbird
subtleties of acting sametic
DVD -scene missing? brendangcarroll
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Lighting the candles Blobsie
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