Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants ... See full summary »
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
In the lower-middle-class Adams family, father and son are happy to work in a drugstore, but mother and daughter Alice try every possible social-climbing stratagem despite snubs and embarrassment. When Alice finally meets her dream man Arthur, mother nags father into a risky business venture and plans to impress Alice's beau with an "upscale" family dinner. Will the excruciating results drive Arthur away? Written by
Rod Crawford <email@example.com>
Katharine Hepburn credits director George Stevens for her change in the public's perception, by helping her, in "Alice Adams", portray more warmth and vulnerability than she had ever shown previously. See more »
In a closeup, Alice is putting long stemmed flowers into a vase and they droop. In the long shot, the flowers are standing straight up in the vase. See more »
Yes, I'd like to buy a corsage, something nice to wear to the party.
Yes. Ooh, that's the - that's the Palmer party, I suppose.
See more »
When I first watched this film, despite the fact that George Steven's excellent direction makes a rather mundane plot into a very involving film, I was a bit thrown off by the actor who plays Katherine Hepburn's ailing father. About midway through the film I thought: "this guy's not much of an actor...".
However, by the time the film was over, I was completely captivated by the man, mostly due to his big confrontation scene with his boss near the end--in fact, I think I re-played that scene five times to really appreciate it's emotional power. And it is because of Mr. Fred Stone's performance in that scene that "Alice Adams" remains one of my very favorite films.
And who was the man? Well, anyone viewing "Alice Adams" is watching a rare document of American theatrical history. Fred Stone was born in 1873, actually traveled west with his family in a covered wagon, became a circus performer, acrobat, dancer, clown and expert "eccentric dancer." He knew Will Rogers and Annie Oakley, and became a MAJOR musical theater star in the early 20th-century. His most famous role was that of the ORIGINAL SCARECROW in the very first (1902) stage version of the WIZARD of OZ. As a young man Ray Bolger saw the production in Boston, and began to pursue his own "eccentric dancing" career, becoming immortalized himself as the Scarecrow in the 1939 MGM film.
In "Alice Adams", Fred Stone gives a remarkably sympathetic and honest performance, a simple, rather shy and utterly unpretentious Everyman, who, though convalescing from some undisclosed illness, must constantly endure the brow-beatings and guilt trips laid upon him by his nagging wife. By the end of the film, having become entangled in a business venture for which he seems totally unqualified and outraged by his son's thievery, he confronts his own boss in his living room for his big emotional scene. I remember reading in Mr. Stone's autobiography that George Stevens and Katherine Hepburn were so impressed by his performance in this scene that they actually EXPANDED his part in it to give him more screen time.
After Katherine Hepburn steps in to smooth things over with the boss, she has a final tender scene with Mr. Stone, one of those achingly beautiful scenes (with a lovely background score) that brings tears to the eye because of its sincerity and simplicity. You won't find anything like it in any film of the last 40 years--many imitations, yes---but not the REAL thing.
Oh yes, there's Katherine Hepburn too, in a role that requires her to act flighty and charming in an annoyingly overwrought way---a little of it goes a VERY long way. Still, she's lovely. Other stand-outs include Alice's smart-aleck brother, played by Frank Albertson, an appealing light comedy/musical theater guy BEST KNOWN for 2 roles: as Sam "hee-haw" Wainwright in "It's a Wonderful Life" and as the lecherous businessman who gives Janet Leigh the $40,000 in the second scene of "Psycho" (he really had aged a lot by 1959). Also, Charley Grapewin, best-known as Uncle Henry in the 1939 "Wizard of OZ" has a chance to shine as Mr. Stone's slightly cantankerous but generous and warm-hearted boss, Mr. Lamb.
"Alice Adams" is not for everyone; it's a low-key, genteel film about the problems of small-town people who are moving up in the social world and the one family that gets left behind. But thanks to George Steven's sensitive and compelling direction, the film transcends it very earthbound plot and becomes, at least for some of us, a very involving cinematic treasure.
39 of 43 people found this review helpful.
Was this review helpful to you?