Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
In the small town of South Renford, Alice Adams comes from a working class background, although she aspires to be among the upper class. Alice's mother blames her husband for their low social standing, despite his working hard and Alice not blaming him for anything. Regardless, Alice tries to do whatever necessary to put on appearances of wealth and social standing, despite everyone in that class in town knowing who she is, and thus largely ignoring her because of her false airs. First meeting at a society ball, Alice surprisingly catches the eye of Arthur Russell, surprisingly as he purportedly is engaged to débutante Mildred Palmer. As Alice continues to hide her true social standing from Arthur as he courts her, Mrs. Adams pressures Mr. Adams into doing something he doesn't want to do in an effort truly to become part of the business class, that measure which entails sinking all his money into a business venture. Beyond the time when Arthur finds out the true nature behind Alice's ... Written by
In the scene where Alice walks with Arthur toward her house for the first time you can see a woman watering her shrubs and a letter carrier walk up, then back down her porch steps twice. The background scene repeats itself, letter carrier, woman setting down hose, etc. The letter carrier approaches Alice moments later where she then has to shamefully admit to Arthur that this is indeed her house that she is in front of. Obviously a rear projection scene that was duplicated. See more »
Yes, I'd like to buy a corsage, something nice to wear to the party.
Yes. Ooh, that's the - that's the Palmer party, I suppose.
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ALICE ADAMS is the film I'd heard about for years as one of Hepburn's best early films so when I had the chance to watch it recently on TCM I took advantage of it.
From a novel by Booth Tarkington, it concerns a young woman anxious to connect socially with the right people who manages to attract the attention of a handsome and well-to-do young man (Fred MacMurray) at a party. Hepburn shines in the title role, looking fresh and attractive, struggling to keep him interested in her--but unfortunately, with all of her trademark mannerisms not always held in check.
She does well in the role but, in my opinion, the real magnet of interest is the under-appreciated Fred MacMurray who does a sincere and effortless job as her suitor in a role that could not have been easy to bring off. Both stars are in their physical prime, but MacMurray's naturalness only makes Hepburn look even more mannered than usual. Fortunately, this works because her character is supposed to be putting on airs. But at times, this is overdone.
The awkwardness of the social situations are exploited--and the highpoint has to be the warm dinner served on a hot evening, complete with maid service (by Hattie McDaniel) in one of the movie's most amusing, if uncomfortable, scenes. Here too, MacMurray displays just the right amount of stability against all odds. Fred Stone provides a number of chuckles as Hepburn's so provincial father.
All of the supporting roles are nicely filled, with special praise for Ann Shoemaker as the concerned mother anxious for her daughter to find the right suitor. But it's Hepburn's showcase under George Stevens' sensitive direction and she is convincing despite the overly mannered performance.
Summing up: Although some of the situations seemed a bit forced and not everyone will appreciate the humor at Hattie McDaniel's expense, it's worth watching for Hepburn and MacMurray alone.
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