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Alice Adams (1935)

Approved  |   |  Comedy, Drama, Romance  |  13 November 1935 (Argentina)
7.1
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Ratings: 7.1/10 from 2,433 users  
Reviews: 40 user | 15 critic

The misadventures of two social-climbing women in small town America.

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(novel), (screen play), 2 more credits »
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Title: Alice Adams (1935)

Alice Adams (1935) on IMDb 7.1/10

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Nominated for 2 Oscars. Another 2 wins. See more awards »

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Cast

Complete credited cast:
...
...
Fred Stone ...
Evelyn Venable ...
...
Ann Shoemaker ...
...
Grady Sutton ...
...
Jonathan Hale ...
...
Malena Burns - Maid Serving Dinner (as Hattie McDaniels)
Rest of cast listed alphabetically:
...
(scenes deleted)
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Storyline

In the lower-middle-class Adams family, father and son are happy to work in a drugstore, but mother and daughter Alice try every possible social-climbing stratagem despite snubs and embarrassment. When Alice finally meets her dream man Arthur, mother nags father into a risky business venture and plans to impress Alice's beau with an "upscale" family dinner. Will the excruciating results drive Arthur away? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Twenty-two and wonderful ... as Booth Tarkington's loveliest heroine!

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

13 November 1935 (Argentina)  »

Also Known As:

Booth Tarkington's Alice Adams  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Jane Loring, the frequent editor of Katharine Hepburn, did not receive onscreen credit, and studio files indicate she was paid out of the directing budget. See more »

Goofs

In the scene where Alice walks with Arthur toward her house for the first time you can see a woman watering her shrubs and a letter carrier walk up, then back down her porch steps twice. The background scene repeats itself, letter carrier, woman setting down hose, etc. The letter carrier approaches Alice moments later where she then has to shamefully admit to Arthur that this is indeed her house that she is in front of. Obviously a rear projection scene that was duplicated. See more »

Quotes

[first lines]
Florist: Good afternoon.
Alice Adams: Yes, I'd like to buy a corsage, something nice to wear to the party.
Florist: Yes. Ooh, that's the - that's the Palmer party, I suppose.
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Katharine Hepburn (1962) See more »

Soundtracks

YOU'RE AN ANGEL
(1935) (uncredited)
Music by Jimmy McHugh for: Hooray for Love (1935)
Used instrumentally as dance music
See more »

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User Reviews

And how about Mr. Fred Stone?
28 July 2003 | by (Whiting, Indiana) – See all my reviews

When I first watched this film, despite the fact that George Steven's excellent direction makes a rather mundane plot into a very involving film, I was a bit thrown off by the actor who plays Katherine Hepburn's ailing father. About midway through the film I thought: "this guy's not much of an actor...".

However, by the time the film was over, I was completely captivated by the man, mostly due to his big confrontation scene with his boss near the end--in fact, I think I re-played that scene five times to really appreciate it's emotional power. And it is because of Mr. Fred Stone's performance in that scene that "Alice Adams" remains one of my very favorite films.

And who was the man? Well, anyone viewing "Alice Adams" is watching a rare document of American theatrical history. Fred Stone was born in 1873, actually traveled west with his family in a covered wagon, became a circus performer, acrobat, dancer, clown and expert "eccentric dancer." He knew Will Rogers and Annie Oakley, and became a MAJOR musical theater star in the early 20th-century. His most famous role was that of the ORIGINAL SCARECROW in the very first (1902) stage version of the WIZARD of OZ. As a young man Ray Bolger saw the production in Boston, and began to pursue his own "eccentric dancing" career, becoming immortalized himself as the Scarecrow in the 1939 MGM film.

In "Alice Adams", Fred Stone gives a remarkably sympathetic and honest performance, a simple, rather shy and utterly unpretentious Everyman, who, though convalescing from some undisclosed illness, must constantly endure the brow-beatings and guilt trips laid upon him by his nagging wife. By the end of the film, having become entangled in a business venture for which he seems totally unqualified and outraged by his son's thievery, he confronts his own boss in his living room for his big emotional scene. I remember reading in Mr. Stone's autobiography that George Stevens and Katherine Hepburn were so impressed by his performance in this scene that they actually EXPANDED his part in it to give him more screen time.

After Katherine Hepburn steps in to smooth things over with the boss, she has a final tender scene with Mr. Stone, one of those achingly beautiful scenes (with a lovely background score) that brings tears to the eye because of its sincerity and simplicity. You won't find anything like it in any film of the last 40 years--many imitations, yes---but not the REAL thing.

Oh yes, there's Katherine Hepburn too, in a role that requires her to act flighty and charming in an annoyingly overwrought way---a little of it goes a VERY long way. Still, she's lovely. Other stand-outs include Alice's smart-aleck brother, played by Frank Albertson, an appealing light comedy/musical theater guy BEST KNOWN for 2 roles: as Sam "hee-haw" Wainwright in "It's a Wonderful Life" and as the lecherous businessman who gives Janet Leigh the $40,000 in the second scene of "Psycho" (he really had aged a lot by 1959). Also, Charley Grapewin, best-known as Uncle Henry in the 1939 "Wizard of OZ" has a chance to shine as Mr. Stone's slightly cantankerous but generous and warm-hearted boss, Mr. Lamb.

"Alice Adams" is not for everyone; it's a low-key, genteel film about the problems of small-town people who are moving up in the social world and the one family that gets left behind. But thanks to George Steven's sensitive and compelling direction, the film transcends it very earthbound plot and becomes, at least for some of us, a very involving cinematic treasure.


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