The wealthy playboy son of an assassinated South American diplomat discovers that his father was really murdered on orders of the corrupt president of the country--a man who was his ... See full summary »
A show troupe, led by Dan Dixon and traveling in a trailer, is stranded in Paraguay. Dan is all set to be booked in the theatres controlled by Don Luis Garcia until the latter discovers Dan... See full summary »
Joe E. Brown,
Joe Grant is an inventor, fireman and baseball player in his small home town. He gets an offer to play in a big team, he hopes to get more money for his inventions. But he is invited to ... See full summary »
Washington DC in the war. The machinery of government is a hive of endless if not seamless activity. Arnament production is the name of the game, by fair means or foul. Ed Browne, more used... See full summary »
Olivia de Havilland,
Rookie pitcher Francis "Ike" Farrell comes seemingly out of nowhere to help the Cubs go for the pennant. His idiosyncratic ways, which include excuses and alibis for everything, drive his manager and fiancee crazy in this baseball farce. Written by
Jerry Milani <email@example.com>
The plot hinges on the lights being turned out at the Chicago Cubs' ballpark during a night game, so the hero can change into a uniform. Wrigley Field, the Cubs' home field, did not have lights installed until 1988. See more »
Frank X. Farrell:
[Sticking his head in the bathroom]
Is this the men's washroom?
You'd be in a fine spot if it wasn't, wouldn't yuh?
Frank X. Farrell:
THat's why I looked first. I wanted to be sure.
See more »
The character of Alibi Ike was well known to the American public. There was not only Ring Lardner's short novel but a comic strip for a couple of years, with Ring Lardner as one of the strip's writers.
Lardner's prose was funny, but it was also an incisive exposure of the ignorance and bigotry of middle America of the 1920s. He was inditing a culture which was smug in its ignorance and prejudices. There is, of course, none of this in this Joe E. Brown comedy, designed mainly for Brown to do his familiar shtick while cruising along with a well used plot.
Warner Brothers was willing to bring social criticism into their films at this period (unlike the other studios), but they knew that it wouldn't work in a Joe E. Brown comedy. Brown's movies were designed for rural America (and were very successful), and rural America could laugh as Brown made fun of "citified ways", but they wouldn't have appreciated cogent criticism aimed at them. At least, they wouldn't have laughed.
So this is a fast comedy, pretty funny, especially for baseball fans and baseball historians.
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