Mac's plans to settle down and raise a family are upset by the Korean War. He goes as a fighter pilot and returns a hero, the first triple ace of the war. His neighbors have built a home ... See full summary »
A $50,000 life-insurance sale puts mild-mannered Henry Twinkle on the fast track at Ajax Insurance Company. Now he can marry his girl and climb the corporate ladder -- just as long as the ... See full summary »
Recruits head to the front lines towards the close of the Korean War. The interaction between two of the soldiers...an idealistic newcomer and a psychotic who goes on one-man patrols ... See full summary »
The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
Aspiring actress Louise Muban attends the prestigious Paris School of Drama during the day and works at a dreary factory assembling gas meters at night. She daydreams and "acts" her way ... See full summary »
Robert B. Sinclair
The beautiful and frivolous wife of a plantation owner in antebellum Louisiana, proves unsatisfactory at running the household, leading her serious-minded husband to enlist the help of her unmarried sister.
Young idealist Richard Miller is selected as valedictorian for his New England high school commencement class of 1906 and intends to inject modern anti-capitalistic ideas into his speech. His father, Nat Miller, accidentally learns of it and interrupts Richard's speech before he can make a fool of himself. The small town later celebrates the Fourth of July with customary fireworks, picnics and the like, with Richard spending time with his girl, Muriel McComber, who promises she will allow him to kiss her one day. When Richard sends poems of love to Muriel, quoting the likes of Omar Khayyám and Swinburne, her father prevents her from ever seeing him again and forces her to write a letter denouncing him. Heartbroken, Richard drowns his sorrow in a local bar, drinking and smoking with a vamp called Belle, and comes home drunk. Alcoholic uncle Sid, who is used to the effects of liquor, nurses Richard back to sobriety, but Richard still must face the uncertain punishment of his father as ... Written by
Arthur Hausner <firstname.lastname@example.org>
Will Rogers planned to play Nat Miller in this film, but eventually backed out of the project, enabling him to make the ill-fated airplane trip with Wiley Post to Alaska. The plane crashed, killing them both. See more »
The "Stanley Steamer" automobile is depicted as chugging and back-firing, which are not possible with steam engines. These are characteristics of internal combustion engines. See more »
[as Richard comes home as in a trance and goes upstairs without saying anything]
You don't suppose he's been...
No, that's love, not liquor.
See more »
In a small American town, a young man from a good family faces some of the realities of maturity.
Clarence Brown's fond recreation of Eugene O'Neill's popular stage play AH, WILDERNESS! makes a wonderful celebration of basic American virtues. Attention to detail, coupled with excellent performances & MGM's best production values, results in a film full of quiet joys & sorrows.
The story follows young Eric Linden (in his best film role) during the one month period from his 1906 high school graduation until the Fourth of July, as he deals with the pangs & confusions of puppy love. His yearnings for his pretty neighbor and his experimentation with an older, much rougher sort of female, perfectly underscore the angst so often found in young adults regardless of the era. This is brilliantly displayed in the film's most hilarious sequence, the graduation ceremony which Linden hopes to sabotage, which reveals the honest insecurities and mawkishness of the senior class.
Wallace Beery, playing Linden's dyspeptic bachelor uncle receives top billing, and he is a scene stealer with much experience, but he acts alongside an equally good Lionel Barrymore, as Linden's father, who quietly underplays his role as head of the family. Each actor had a powerful screen persona, however neither attempt to dominate what is in effect a prime example of ensemble acting from the entire cast.
As Barrymore's spinster sister, Aline MacMahon is especially fine, her romantic feelings for Beery barely canceled beneath her prim exterior. Spring Byington, as Barrymore's wife, shows a touching sensitivity in her sometimes flustered, nervous concern for her brood.
Playing Linden's collegiate brother, Frank Albertson is good-natured and sturdy, and in a poignant moment gives a gentle parody of his own considerable musical talent by crooning When Other Lips' from The Bohemian Girl. Bonita Granville & Mickey Rooney portray the youngest siblings in the family, with Rooney in particular having some very funny moments.
In smaller roles, Cecilia Parker is all innocence as Linden's sweetheart, while crusty old Charley Grapewin almost spits vinegar as her cantankerous father. Helen Flint gives a forceful performance, considering Production Code restrictions, of the wanton woman who attempts seducing the much younger Linden.
Movie mavens will recognize an uncredited Eily Malyon as the family's Irish maid.
The title is an ironic reference to a line from The Rubáiyát of Omar Khayyám. Will Rogers was originally pegged to play the role which ultimately went to Barrymore, but he backed out in order to make his tragic plane flight to Alaska.
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