| Photos (See all 64 | slideshow) | Videos (see all 4) |
| Robert Donat | ... | Hannay | |
| Madeleine Carroll | ... | Pamela | |
| Lucie Mannheim | ... | Miss Smith | |
| Godfrey Tearle | ... | Professor Jordan | |
| Peggy Ashcroft | ... | Crofter's Wife | |
| John Laurie | ... | Crofter | |
| Helen Haye | ... | Mrs. Jordan | |
| Frank Cellier | ... | The Sheriff | |
| Wylie Watson | ... | Memory | |
| Gus McNaughton | ... | Commercial Traveller (as Gus Mac Naughton) | |
| Jerry Verno | ... | Commercial Traveller | |
| Peggy Simpson | ... | Maid | |
| rest of cast listed alphabetically: | |||
| Ivor Barnard | ... | Political Meeting Chairman (uncredited) | |
| Charles Bennett | ... | Second Passerby Near the Bus (uncredited) | |
| Noel Birkin | ... | Undetermined Role (uncredited) | |
| Ex-Det. Sergt. Bishop | ... | Police Sergeant (uncredited) | |
| Matthew Boulton | ... | Fake Police Officer (uncredited) | |
| Edgar K. Bruce | ... | Undetermined Role (uncredited) | |
| Kate Cutler | ... | Undetermined Role (uncredited) | |
| Philip Desborough | ... | Undetermined Role (uncredited) | |
| Pat Hagate | ... | M.C. Who Introduces Mr Memory (uncredited) | |
| Alfred Hitchcock | ... | Passerby Near the Bus (uncredited) | |
| Carleton Hobbs | ... | Fake Policeman #2 (uncredited) | |
| Vida Hope | ... | Usherette (uncredited) | |
| Robert Horton | ... | Undetermined Role (uncredited) | |
| Elizabeth Inglis | ... | Professor Jordan's Daughter (uncredited) | |
| James Knight | ... | Detective at London Palladium (uncredited) | |
| Hubert Leslie | ... | Undetermined Role (uncredited) | |
| Miles Malleson | ... | Palladium Manager (uncredited) | |
| Quentin McPhearson | ... | Clergyman on the Flying Scotsman (uncredited) | |
| Phyllis Morris | ... | Undetermined Role (uncredited) | |
| Frederick Piper | ... | The Milkman (uncredited) | |
| Hilda Trevelyan | ... | Innkeeper's Wife (uncredited) | |
| John Turnbull | ... | Scottish Police Inspector (uncredited) | |
| S.J. Warmington | ... | Scotland Yard Man (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Buchan | (adapted from the novel by) | |
| Charles Bennett | (adaptation) | |
| Ian Hay | (dialogue) | |
Produced by | |||
| Michael Balcon | .... | producer (uncredited) | |
| Ivor Montagu | .... | associate producer (uncredited) | |
Original Music by | |||
| Jack Beaver | (uncredited) | ||
| Louis Levy | (uncredited) | ||
Cinematography by | |||
| Bernard Knowles | (photography) | ||
Film Editing by | |||
| Derek N. Twist | (as D.N. Twist) | ||
Art Direction by | |||
| Oscar Friedrich Werndorff | (as O. Werndorff) | ||
| Albert Jullion | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Pen Tennyson | .... | assistant director (uncredited) | |
Art Department | |||
| Albert Whitlock | .... | scenic artist (uncredited) | |
Sound Department | |||
| A. Birch | .... | recordist | |
Special Effects by | |||
| Philippo Guidobaldi | .... | miniature builder (uncredited) | |
| Jack Whitehead | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Reg Johnson | .... | assistant camera (uncredited) | |
| Peter Sargent | .... | clapper-boy (uncredited) | |
Costume and Wardrobe Department | |||
| Marianne | .... | wardrobe | |
| Joe Strassner | .... | dress designer (as J. Strassner) | |
Music Department | |||
| Louis Levy | .... | musical director | |
| Louis Levy | .... | conductor (uncredited) | |
Other crew | |||
| Alma Reville | .... | continuity | |
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| The Fugitive | The Spider Returns | Three Days of the Condor | Saboteur | The Mysterious Pilot |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Nearly every era in Hitchcock's directing career has incredible strengths. When we view a later film like "North by Northwest" we are tempted to say that "The 39 Steps" is simply a training film for the bigger budget, star studded film that came later. This is not true. This movie stands on its own. With wonderful actors like Robert Donat and Madeline Carrol, we are led on an intense ride, culminating in a crowded theater. There are amazing shots of the characters weaving their way through crowds, close ups used strictly for the purpose of moving the plot. With Hitchcock there is no excess. He is a poet with a camera. As the tension mounts and Donat's character becomes swept away in its arms, we are taken with it. His wisecracking character is out of words and must act, just as Cary Grant did in the aforementioned film. There is something lurking and we have to find out who it is and why does he need to know what he knows? I've seen this many times and will see it again.