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| Robert Donat | ... | Richard Hannay | |
| Madeleine Carroll | ... | Pamela | |
| Lucie Mannheim | ... | Annabella aka Miss Smith | |
| Godfrey Tearle | ... | Professor Jordan | |
| Peggy Ashcroft | ... | Margaret - Crofter's Wife | |
| John Laurie | ... | John - Crofter | |
| Helen Haye | ... | Mrs. Jordan | |
| Frank Cellier | ... | Sheriff Watson | |
| Wylie Watson | ... | Mr. Memory | |
| Gus McNaughton | ... | Commercial Traveller with Pipe (as Gus Mac Naughton) | |
| Jerry Verno | ... | Commercial Traveller | |
| Peggy Simpson | ... | Maid | |
| rest of cast listed alphabetically: | |||
| Ivor Barnard | ... | Political Meeting Chairman (uncredited) | |
| Charles Bennett | ... | Second Passerby Near the Bus (uncredited) | |
| Noel Birkin | ... | Undetermined Role (uncredited) | |
| Ex-Det. Sergt. Bishop | ... | Police Sergeant (uncredited) | |
| Matthew Boulton | ... | Fake Police Officer (uncredited) | |
| Edgar K. Bruce | ... | Undetermined Role (uncredited) | |
| Kate Cutler | ... | Undetermined Role (uncredited) | |
| Philip Desborough | ... | Undetermined Role (uncredited) | |
| Pat Hagate | ... | M.C. Who Introduces Mr Memory (uncredited) | |
| Alfred Hitchcock | ... | Passerby Near the Bus (uncredited) | |
| Vida Hope | ... | Usherette (uncredited) | |
| Robert Horton | ... | Undetermined Role (uncredited) | |
| Elizabeth Inglis | ... | Professor Jordan's Daughter (uncredited) | |
| James Knight | ... | Detective At London Palladium (uncredited) | |
| Hubert Leslie | ... | Undetermined Role (uncredited) | |
| Miles Malleson | ... | Palladium Manager (uncredited) | |
| Quentin McPhearson | ... | Clergyman On The Flying Scotsman (uncredited) | |
| Phyllis Morris | ... | Undetermined Role (uncredited) | |
| Frederick Piper | ... | The Milkman (uncredited) | |
| Hilda Trevelyan | ... | Innkeeper's Wife (uncredited) | |
| John Turnbull | ... | Scottish Police Inspector (uncredited) | |
| S.J. Warmington | ... | Scotland Yard Man (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Buchan | (novel "The 39 Steps") | |
| Charles Bennett | (adaptation) | |
| Ian Hay | (dialogue) | |
Produced by | |||
| Michael Balcon | .... | producer (uncredited) | |
| Ivor Montagu | .... | associate producer (uncredited) | |
Original Music by | |||
| Hubert Bath | (uncredited) | ||
| Jack Beaver | (uncredited) | ||
| Charles Williams | (uncredited) | ||
Cinematography by | |||
| Bernard Knowles | (photography) | ||
Film Editing by | |||
| Derek N. Twist | (as D.N. Twist) | ||
Art Direction by | |||
| Oscar Friedrich Werndorff | (as O. Werndorff) | ||
| Albert Jullion | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Pen Tennyson | .... | assistant director (uncredited) | |
Sound Department | |||
| A. Birch | .... | sound recordist | |
Special Effects by | |||
| P. Guidobaldi | .... | miniature builder (uncredited) | |
| Jack Whitehead | .... | special effects (uncredited) | |
| Albert Whitlock | .... | scenic artist (uncredited) | |
Camera and Electrical Department | |||
| Reg Johnson | .... | assistant camera (uncredited) | |
| Peter Sargent | .... | clapper-boy (uncredited) | |
Costume and Wardrobe Department | |||
| Marianne | .... | wardrobe | |
| Joe Strassner | .... | dress designer (as J. Strassner) | |
Music Department | |||
| Louis Levy | .... | musical director | |
| Louis Levy | .... | conductor (uncredited) | |
Other crew | |||
| Alma Reville | .... | continuity | |
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The Thirty Nine Steps is extraordinary in every conceivabe way. Anyone who doesn't mind slightly old, black-and-white movies will be enraptured by this Hitchcock classic, which was one of the first films to present sophisticated and witty banter between two ill-matched characters. What makes it even more extraordinary is that it virtually totally alters the source material (John Buchan's novel), yet still comes across as a work of ingenuity.
The story concerns Richard Hannay (Robert Donat) a handsome young man who owns a London flat. A mysterious woman comes to him for help, claiming that she is being hunted by some spies. Hannay helps her, but when she is murdered in his home it look like he is to blame, and he has to go on the run from the police (who obviously want him for the "crime") and the spies (who want him to find out how much he actually knows). En route, he has many adventures as he flees across the South Scotland landscapes, including being handcuffed to a woman (Madeline Carroll) who happens to think he is guilty of the murder.
This is splendid from the word "go". It has enough memorable set pieces for a dozen films, its pace is invigorating, the plot is constantly turning up new surprises, and the performances are just about perfect. Hitchcock spent his career narrating tale of innocent men on the run (indeed, many consider it to be his "favourite" theme) and this is one of the very finest examples of that. Anyone interested in Hitchcock or cinema of the '30s simply must, must, must see this film.