A charismatic thief makes friends with a bankrupt baron who comes to live in the thief's slum. Meanwhile the thief seeks the love of a young woman, who is held emotionally captive by her slumlord family.
Pierre Gilieth has committed a murder in Paris. He flees to Barcelona, where he runs out of money. So he joins the Spanish Foreign Legion. He meets there two fellow countrymen, Mulot and ... See full summary »
In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down permanently - like Toni, an Italian who has... See full summary »
Pierre (Pierre Richard-Willm), a young lawyer, has enormous debts due to his mistress Florence (Marie Bell), and her whims of luxury life. Pierre has gone too far and put the family firm in... See full summary »
A man and a woman arrive in a cafe-hotel near the belgian frontier. The customers recognize the man from the police's description. His name is Amedee Lange, he murdered Batala in Paris. His... See full summary »
Born in St. Louis, Missouri, Josephine Baker was born poor, but achieved fame and fortune through her sizzlingly exotic and erotic performances. Starting life on the American Vaudeville ... See full summary »
As children, Zouzou and Jean are paired in a traveling circus as twins: she's dark, he's light. After they've grown, he treats her as if she were his sister, but she's in love with him. In Paris, he's a music hall electrician, she's a laundress who delivers clean underwear to the hall. She introduces him to Claire, her friend at work, and the couple fall in love. Jean conspires to get the show's star out of town and for the theater manager to see the high-spirited Zouzou perform. When Jean's accused of murder and Zouzou needs money to mount his defense, she pleads to go on stage. Her talents may save the show, but can anything save her dream of life with Jean? Written by
Most of this movie is the sort of mindless melodrama Hollywood and Paris produced in abundance in the 1930s. The acting is all fine, but the story is strictly from hunger.
At the end, however, you get to see Josephine Baker in a major production number, the sort of musical extravaganza that made her a star in Paris. There, for five minutes, you understand that she was a lot more than just a woman in a banana skirt.
Watch the rest of the movie if you're into melodrama.
But definitely watch the end. It explains the French reputation of Josephine Baker.
4 of 7 people found this review helpful.
Was this review helpful to you?