IMDb > Wonder Bar (1934)
Wonder Bar
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Wonder Bar (1934) More at IMDbPro »


Overview

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Up 17% in popularity this week. See why on IMDbPro.
Director:
Writers:
Geza Herczeg (based on the play by) &
Karl Farkas (based on the play by) ...
(more)
Contact:
View company contact information for Wonder Bar on IMDbPro.
Release Date:
31 March 1934 (USA) See more »
Genre:
Tagline:
Warner Bros.' Wonder Show of the Century!
Plot:
Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man... See more » | Add synopsis »
NewsDesk:
(10 articles)
User Reviews:
A cultural artifact... See more (19 total) »

Cast

  (in credits order) (verified as complete)

Al Jolson ... Al Wonder

Kay Francis ... Liane

Dolores del Rio ... Inez (as Dolores Del Rio)

Ricardo Cortez ... Harry

Dick Powell ... Tommy
Guy Kibbee ... Simpson
Ruth Donnelly ... Mrs. Simpson

Hugh Herbert ... Pratt
Louise Fazenda ... Mrs. Pratt
Hal Le Roy ... Himself
Fifi D'Orsay ... Mitzi
Merna Kennedy ... Claire
Henry O'Neill ... Richard - the Maitre'd
Robert Barrat ... Captain Hugo Von Ferring
Henry Kolker ... Mr. R.H. Renaud
Spencer Charters ... Pete
rest of cast listed alphabetically:
Grace Hayle ... Fat Dowager (scenes deleted)
Demetrius Alexis ... Young Man (uncredited)
William Anderson ... Call Boy (uncredited)
Loretta Andrews ... Chorus Girl (uncredited)
Louis Ardizoni ... Leon - the Cook (uncredited)
Hobart Cavanaugh ... Drunk (uncredited)
Emile Chautard ... Pierre - the Concierge (uncredited)
Clay Clement ... Businessman (uncredited)

Gino Corrado ... Second Waiter (uncredited)
Virginia Dabney ... Chorus Girl (uncredited)
Michael Dalmatoff ... Russian Count (uncredited)

Jane Darwell ... Baroness (uncredited)
Gordon De Main ... Second Detective (uncredited)
Mildred Dixon ... Chorus Girl (uncredited)
Shirley Dunstead ... Chorus Girl (uncredited)
Ruth Eddings ... Chorus Girl (uncredited)
Bill Elliott ... Norman - Man Flirting with Pansy (uncredited)
Pauline Garon ... Telephone Operator (uncredited)
Dick Good ... Page Boy (uncredited)
William Granger ... First Bartender (uncredited)
Robert Graves ... Police Officer (uncredited)
Mia Ichioka ... GeeGee (uncredited)
Amo Ingraham ... Hazel - a Chorus Girl (uncredited)

George Irving ... Broker (uncredited)
Alfred P. James ... Night Watchman (uncredited)
Bud Jamison ... Third Bartender (uncredited)
Eddie Kane ... Frank (uncredited)
Edward Keane ... Captain (uncredited)
Joseph La Gue ... Boy (uncredited)
Miriam Marlin ... Chorus Girl (uncredited)
John Marlowe ... Young Man (uncredited)
Alphonse Martell ... Doorman (uncredited)
Bert Moorhouse ... Joe (uncredited)
Marie Moreau ... Marie - Liane's Maid (uncredited)
Mahlon Norvell ... Artist (uncredited)
Dave O'Brien ... Chorus Boy (uncredited)
Dennis O'Keefe ... Chorus Boy (uncredited)
Henry Otho ... Second Bartender (uncredited)
Gene Perry ... Gendarme (uncredited)
Paul Power ... Chester - Norman's Pal (uncredited)
Donna Mae Roberts ... Chorus Girl (uncredited)
Rosalie Roy ... Irma - a Chorus Girl (uncredited)
Rolfe Sedan ... First Waiter (uncredited)
Kathryn Sergava ... Ilka (uncredited)
William Stack ... Businessman (uncredited)
Victoria Vinton ... Chorus Girl / Cinderella in 'Don't Say Goodnight' (uncredited)
Renee Whitney ... Chorus Girl (uncredited)
Lottie Williams ... Wardrobe Woman (uncredited)
Harry Woods ... First Detective (uncredited)
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Directed by
Lloyd Bacon 
 
Writing credits
Geza Herczeg (based on the play by) &
Karl Farkas (based on the play by) and
Robert Katscher (based on the play by)

Earl Baldwin (adaptation and screen play)

Cinematography by
Sol Polito (photography)
 
Film Editing by
George Amy (film editor)
 
Art Direction by
Jack Okey 
Willy Pogany 
 
Costume Design by
Orry-Kelly (gowns)
 
Second Unit Director or Assistant Director
William H. Cannon .... assistant director (uncredited)
 
Camera and Electrical Department
L. De Angelis .... assistant camera (uncredited)
Frank Flanagan .... chief electrician (uncredited)
Mike Joyce .... second camera operator (uncredited)
Buddy Longworth .... still photographer (uncredited)
 
Costume and Wardrobe Department
Eugene Joseff .... costume jeweller (uncredited)
 
Music Department
Al Dubin .... music and lyrics by
Leo F. Forbstein .... conductor: Vitaphone Orchestra
Harry Warren .... music and lyrics by
Ray Heindorf .... music arranger (uncredited)
 
Other crew
Busby Berkeley .... numbers created and directed by
Robert Lord .... supervisor (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
84 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Australia:G | USA:Passed (National Board of Review) | USA:Approved (PCA #2699-R) (22 September 1936 for re-release) | USA:TV-PG (TV rating)

Did You Know?

Trivia:
Al Jolson insisted on singing the opening number Vive la France live on set, as he claimed it would be impossible to do the song justice if was filmed miming to playback, in order to deliver it with the excitement and verve that only he could bring to it. Even though this presented considerable technical problems, Warner Brothers agreed (that's the real studio orchestra actually on set playing the house band of the Wonder Bar) and this is one of the very last musical numbers to be performed live on camera.See more »
Quotes:
Al Wonder:[rolls eyes as two men dance off together] Boys will be boys, woooo!See more »
Movie Connections:
Featured in Vito (2011)See more »
Soundtrack:
Don't Say Good-NightSee more »

FAQ

This FAQ is empty. Add the first question.
17 out of 28 people found the following review useful.
A cultural artifact..., 17 April 2000
Author: Karen Green (klg19) from New York City

The storyline of this film is fairly ordinary: something of a "Grand Hotel" set in a Paris cabaret in the 20s. What makes it noteworthy -- besides the opportunity to watch Al Jolson in action -- is the jaw-droppingly insensitive closing number, "Goin' to Heaven on a Mule," staged by Busby Berkeley in characteristically over-the-top fashion. A blackface Jolson takes us through a version of heaven with Pork Chop Orchards and Possum Pie Groves, automatic fried chicken, dancing watermelons, and a streetcar going from the "Milky Way to Lenox Ave." And in the midst of it all, a winking Al grins over a copy of a Yiddish newspaper, just to let us all in on the joke.

The number makes the Lincoln's Birthday number in "Holiday Inn" look tame. Even Stepin Fetchit suddenly appears endowed with a singular dignity. Watching it helps one to understand the unhappy history of race relations in this country.

Which is why I think that the film should be seen, if only in order for younger Americans to understand just where all that racial anger comes from. This is our cultural history, and we shouldn't run from it. It ought to be screened in every cultural studies class in America!

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