Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to ...
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Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to produce a show but the ship strikes a derelict wreckage and is sinking rapidly. In the ensuing wild panic, Forrester saves many lives, until finally, panic stricken by sudden fear, he dons a woman's clothes and is among the rescued. On the coast of Newfouldland, the villagers, not aware of his true identity, curse him but he is befriended by Alec who helps him conceal his identity. With a planned story of his survival, he returns to New York but cannot face his family or friends after he sees the plaque to his heroism on his New York theatre. Deciding to remain thought of as dead, he becomes a derelict himself, surviving on odd jobs as he watches from afar his now-grown son begin his career as a producer. The son meets with failure and Forrester, claiming to be an old friend of his father, goes to him ... Written by
Les Adams <firstname.lastname@example.org>
I saw "Shipwreck" in Radio City Music Hall in 1934 (when I was 7). I especially enjoyed seeing Robert Young for perhaps the first time. I don't recall the semi-happy ending noted in your Summary. Instead, I thought the Walter Connolly character died in his son's office after his wife recognized him. (Maybe I anticipated that ending later on in "Tomorrow Is Forever.") Did time play tricks on me? I erroneously believed that the female lead was Ann Harding, only to find in IMDb that it was lookalike Doris Kenyon. I especially recall the lifeboat scramble and the beatings Connolly received in Newfoundland when his fellow passengers and the locals discovered he had disguised himself as a woman by placing a ladies fur coat over his head.
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