Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to ... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to produce a show but the ship strikes a derelict wreckage and is sinking rapidly. In the ensuing wild panic, Forrester saves many lives, until finally, panic stricken by sudden fear, he dons a woman's clothes and is among the rescued. On the coast of Newfouldland, the villagers, not aware of his true identity, curse him but he is befriended by Alec who helps him conceal his identity. With a planned story of his survival, he returns to New York but cannot face his family or friends after he sees the plaque to his heroism on his New York theatre. Deciding to remain thought of as dead, he becomes a derelict himself, surviving on odd jobs as he watches from afar his now-grown son begin his career as a producer. The son meets with failure and Forrester, claiming to be an old friend of his father, goes to him ... Written by
Les Adams <email@example.com>
One of the gaps in my movie viewing has always been Columbia films of the 1930s. Fortunately, some of these titles are now starting to appear on DVD, and none was more welcome than Walter Lang's "Whom the Gods Destroy". Superbly edited by longtime Columbia contractee Viola Lawrence in a style obviously influenced by contemporary Russian and avant garde and featuring an astonishing "Titanic" scene in which lavish studio footage is cleverly intercut with stock material from E.A. Dupont's "Atlantik" (1929), "Whom the Gods Destroy" is one of the few films to indelibly brand its hero a coward. The only other one I can call to mind is John Huston's equally powerful "Red Badge of Courage" (1951) (which at present is available on a most disappointing DVD which contains only the familiar 69-minute cutdown and not so much as a single foot of the shelved scenes). In "Whom the Gods Destroy", the hero's cowardice is even more despicable, although three or four minutes have been censored from the shipboard and beach scenes in the 2009 DVD, considerably lessening their impact. Nonetheless, Walter Connolly acquits himself with honor, while young Robert Young is luckily called upon to be inadequate which he is!
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