In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ...
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In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant... Written by
Rod Crawford <firstname.lastname@example.org>
Much of the footage originally shot by Howard Hawks is said to have been lost in a plane crash. However, Hawks claimed that most of the location footage (except battle scenes) was his. See more »
The film strongly implies that Pancho Villa took Mexico City by himself, and then made himself president. In fact, the city was taken in a three-pronged attack by Villa's forces and those of two other revolutionary generals, Emiliano Zapata and Venustiano Carranza. After the city was taken and Huerta fled, the three generals ruled together, although Zapata soon went home and Carranza eventually forced Villa out of power, defeating his forces and ruling Mexico by himself. See more »
Now is the time for all good men to come to the aid of Jonny Sykes.
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It ain't really true then again it ain't really a lie.
The life of Mexican rebel and maverick Pancho Villa is brought to the screen is in this highly fictional but yet log-line or plot points accurate story. This is clear to anyone because the opening has one of those disclaimers that states that though the story is true, the movie has fictionalized certain scenes and scenarios but is in essence a true portrait. Whatever! That said, despite unexpected tonal shifts (Howard Hawks was the original director before Jack Conway was brought in and re-shot a lot of his footage. It makes me wonder how the new Exorcist movie that Renny Harlin is reshooting will play) the film is a touching portrait of a man of the people who could never lead a nation. It does not patronize the dastardly or generally inhumane tactics of Villa. As far as Villa was concerned, it is war and one must vanquish the enemies completely. Take no prisoners was his approach. It has the typical, rotten scoundrel and bandit to careful redemption of the soul arc but is handled atypical which is a plus. Beery, one of the biggest stars Hollywood ever produced is solid in the role and should have gotten an Oscar nomination. Directing is solid except for sudden comic ouvres among the chaos stopping the movie from achieving rich resonance but overall enabling it to still work. Sets are huge, action sequences are passable and scenarios and dialogue are either very good or cliched in certain respects. But I think the ending of the movie has one of the best written scenes and final lines I've ever heard. I won't spoil it but it lets you know that what you've seen and read about is essentially a myth and legend and that's what people choose to remember and live on. Kinda like the ending of the movie Big Fish.
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