In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
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In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant... Written by
Rod Crawford <firstname.lastname@example.org>
No Hispanic actors were cast in the film. Of the 16 main credited actors, only Leo Carillo could lay claim to any Spanish lineage - from the Conquistadores era. Argentinian actress was originally the feminine lead, but was replaced by Fay Wray in a rewritten part. See more »
Madero is shown being shot by Pascal at Madero's desk in his office in the Presidential Palace in Mexico City. In reality, Madero and his Vice President were shot by soldiers of Gen. Victoriano Huerta, who had overthrown Madero and was having him transported to a prison outside Mexico City. The car they were in stopped behind a building outside the prison, and Madero and his vice president were taken outside the cars and shot. See more »
Now is the time for all good men to come to the aid of Jonny Sykes.
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While the story is a bit on the fanciful side, it still has a good period look, and some of photography and action sequences are excellent. Wallace Beery is not as hammy as usual and does a creditable job. Henry B. Walthall is good (as usual) as Francisco Madero and turns in the best performance of the movie. Interestingly enough, while some characters (Madero, Villa)actually use their real names, others such as John Reed, Victoriano Huerta and Rodolfo Fierro are fictionalized as Johnny Sykes, Pascal and Sierra, respectively. Perhaps the best thing about it is, despite when it was made it treats the subject matter with dignity and has a real respect for Mexico and Mexicans. Some of the shots look as though they were taken in the 1910s thanks to Jack Conway's and Howard Hawk's direction.
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