In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant... Written by
Rod Crawford <email@example.com>
The "Running W" was a device used on horses at that time which made them fall before the camera at a specific point of an action scene, often killing or injuring the animal so badly that it had to be put down.It involved a harness on the horse secured to "piano" wire which was attached to a stationary object.As the horse reached the end of the length of wire,running full tilt, it would be "tripped". The practice was finally halted after complaints from the A.S.P.C.A. The "Running W" wires can be seen clearly attached to the horses which were "shot down" in the final battle scene of this film . See more »
The film strongly implies that Pancho Villa took Mexico City by himself, and then made himself president. In fact, the city was taken in a three-pronged attack by Villa's forces and those of two other revolutionary generals, Emiliano Zapata and Venustiano Carranza. After the city was taken and Huerta fled, the three generals ruled together, although Zapata soon went home and Carranza eventually forced Villa out of power, defeating his forces and ruling Mexico by himself. See more »
From the hokey dying scenes (and there's more than one in this turkey) to the purely fictitious stories told about this Mexican legend, this old movie just doesn't hold up. Lauded in its day for performances that now seem ridiculously silly, this is one Beery bad biopic. Outside of some good stunt work and passable scenes of battle, there's not much to recommend it. And somebody tell me what's with the artist who will never draw a bull and Pancho Villa who seems to have a phobia of pigeons? I got so tired of this dumb running gag that before this movie was over, I was not chanting "Viva, Villa!" but "Die, Pancho, Die".
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