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A Story of Floating Weeds (1934)
"Ukikusa monogatari" (original title)

 -  Drama  -  January 1994 (USA)
7.8
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Ratings: 7.8/10 from 1,566 users  
Reviews: 13 user | 27 critic

A kabuki actor's mistress hatches a jealous plot to bring down her lover's son.

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Title: A Story of Floating Weeds (1934)

A Story of Floating Weeds (1934) on IMDb 7.8/10

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Cast

Credited cast:
Takeshi Sakamoto ...
Kihachi
Chôko Iida ...
Otsune, Ka-yan
Kôji Mitsui ...
Shinkichi (as Hideo Mitsui)
Rieko Yagumo ...
Otaka
Yoshiko Tsubouchi ...
Otoki
Tomio Aoki ...
Tomi-boh
Reikô Tani ...
Tomibo's father
Rest of cast listed alphabetically:
Kiyoshi Aono ...
Sword trainer
Mariko Aoyama ...
Barber's landlady
Mitsumura Ikebe ...
Villager
Seiji Nishimura ...
Kichi, an actor
Mitsuru Wakamiya ...
Station attendant
Emiko Yagumo
Nagamasa Yamada ...
Maako, an actor
Munenobu Yui
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Storyline

A troupe of actors comes to town, short on funds and bedeviled by bad weather, so they can't put on shows. Kihachi is the troupe's leader. He steals off every day to visit Otsune (an ex-lover) and their son, Shinkichi, who believes his father is a long-dead civil servant. Kihachi has been paying Shinkichi's tuition, and he's now at university. Kihachi's lover, Otaka, the troupe's lead actress, learns Kihachi's secret and plots to ruin Shinkichi and humiliate Kihachi: she offers money to Otoki, the troupe's ingénue, to seduce Shinkichi. Soon the boy is head over heels, and Otoki finds herself with feelings for him. Can this end well or is tragedy at hand? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

troupe | actor | ex lover | actress | abacus | See more »

Genres:

Drama

Certificate:

Not Rated
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Details

Country:

Release Date:

January 1994 (USA)  »

Also Known As:

Ukikusa monogatari  »

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Kihachi: My troupe's finally disbanded. No word from Shinkichi yet? Like father, like son. So fast with the girls. I'm finished this time.
Otsune, Ka-yan: I'll fix you a drink.
Kihachi: No sake for me.
Otsune, Ka-yan: Then you won't travel anymore? You can stay as long as you like. Shinkichi is old enough to know by now. He'll understand. He'll back sometime or toher. Let's live together like a family.
[Kihachi nods]
Otsune, Ka-yan: It isn't good to be alone all the time. Let's have a drink.
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Connections

Remade as Floating Weeds (1959) See more »

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User Reviews

 
One of Ozu's Best Early Works
10 September 2009 | by (United States) – See all my reviews

This early career (1934) Yasujuro Ozu silent film is a personal favorite. A seminal work for Ozu, "A Story of Floating Weeds" is a remarkably modernist, concise film, and the story is powerfully moving. This picture is often argued as Ozu's first fully-realized, and it is an easy film to appreciate, with Ozu's quiet artistry on showcase throughout. (The patent imagery is here: laundry on lines, silent stairwells, passenger trains, hanging lights, etc.; as well as the simplistic, low-angle shooting style, resulting in a film that feels much more familiar to Ozu fans than its age would indicate. Established Ozu fans should notice some outliers, though, including realistic domestic violence and several moving dolly shots). The storyline involves a downtrodden traveling theater group, whose manager is reuninted with his estranged "nephew," (who is, in actuality, his son) and the young man's mother. What follows is a quiet, somber story of familial bonds, unrealizeable love, and the often impossible nature of personal happiness. It is also very much a film about the lower classes, whose plight is subject for this, Ozu's first metaphorical title. The "Floating Weeds" refers to duckweed, a floating plant often referenced in Japanese poetry, and it is emblematic of aimlessness, and the drifting lack of meaning in life. "A Story of Floating Weeds" is a movie about the flatsom and jetsom of Japanese society, whose destination is open to chance and whim. Perhaps equally importantly, "Floating Weeds" is a story about fathers and sons. It is timeless, fundamental stuff, and I'd argue some of Ozu's best.


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