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Twenty Million Sweethearts (1934)

Approved | | Comedy, Musical | 26 May 1934 (USA)
Unscrupulous agent Rush makes singing waiter Clayton a big radio star while Peggy, who has lost her own radio show, helps Clayton.



(screen play), (screen play) | 2 more credits »
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Cast overview, first billed only:
Rush Blake
Buddy Clayton
Peggy Cornell
The Mills Brothers ...
The Mills Brothers (as The Four Mills Bros.)
Ted Fio Rito and His Band ...
Chester A. Sharpe
Herbert Brokman (as Joseph Cawthorne)
Joan Wheeler ...
Lemuel Tappan
Norma Hanson's Secretary
The Radio Rogues ...
Three Mimics (as The Three Radio Rogues)
Jimmy Hollywood ...
One of the Three Radio Rogues (as Jim Hollingwood)
Eddie Bartell ...
One of the Three Radio Rogues
Henry Taylor ...
One of the Three Radio Rogues


Unscrupulous agent Rush makes singing waiter Clayton a big radio star while Peggy, who has lost her own radio show, helps Clayton.

Plot Summary | Add Synopsis


The Big Parade of Radio Set to Laughs and Music by Warner Bros. See more »


Comedy | Musical


Approved | See all certifications »




Release Date:

26 May 1934 (USA)  »

Also Known As:

Hot Air  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


Screenwriter Julius J. Epstein first arrived in Hollywood about 10:30 p.m. on Otctober 14, 1933 and by midnight was collaborating on the screenplay of "Twenty Million Sweethearts" as pages had to be turned in early Monday morning. See more »


Version of My Dream Is Yours (1949) See more »


I Heard
(1932) (uncredited)
Written by Don Redman
Sung by The Mills Brothers
See more »

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User Reviews

"To Sing My Love Songs To"
6 October 2008 | by (Buffalo, New York) – See all my reviews

Twenty Million Sweethearts is out of that era of wonderful musical entertainment that Warner Brothers did the very best of in the Thirties. It's a musical about radio during that quarter of a century when it was the most popular entertainment medium. Dick Powell and Ginger Rogers play a pair of young hopefuls eager to break into radio and Pat O'Brien is Powell's discoverer/manager whose machinations get Powell in the door and almost out of the industry before he's started.

O'Brien played this part so often in those years he could have phoned in the performance, but it's what you expect of him. He finds Powell as a singing waiter doing a boffo version of The Man On The Flying Trapeze, a very popular song in 1934 with it getting a prominent place in It Happened One Night.

Pat may be a little too sharp for his own good, but he does know talent and he brings him to radio station owner Grant Mitchell and sponsor Joseph Cawthorn. They've got a girl singer in Ginger Rogers already, but Ginger and Dick hit it off. But there are complications and they make up the rest of this film.

Harry Warren and Al Dubin wrote most of the original score for this film and the best song in the film is one of my personal favorite Dick Powell number, I'll String Along With You. It's sung both solo and as a duet with Rogers. Powell recorded it and Fair and Warmer for Brunswick records and it enjoyed a good sale during the Depression. It was recycled for Doris Day for her film My Dream Is Your's where it's done as a lullaby to her small son. But when you hear Powell do it, you will hear him at his best as a singer. Interestingly enough Doris's film is also about the radio industry. Powell also does a nice scat version with the Mills Brothers of Out For No Good which is also done by Rogers as a solo.

Twenty Million Sweethearts was done by Ginger on loan out from RKO where she had just signed a long term contract. She had just done Flying Down To Rio, her first with Fred Astaire. Previously she had worked with Powell though not opposite him in 42nd Street and Golddiggers of 1933. Jack Warner thought they'd make a good team together and they did make some beautiful music and beautiful box office. But she made even bigger box office with Flying Down To Rio over at RKO with Astaire and RKO wasn't about to give her up. So the screen team of Powell and Rogers never made another film.

Take note of the performance of Allen Jenkins as the grouchy host of a kid's radio program, he's got some very nice lines. When you hear talk of a Hooper rating, back in the day that referred to the barometer of popularity, like the Nielsen is for today's television. I liked hearing the Radio Rogues, only hearing them mind you, at the beginning of the movie where you hear them do their imitations of the current radio stars. They had appeared in Bing Crosby's We're Not Dressing earlier in the year at Paramount and now that they were not in his film, his imitation is added to their repertoire.

Twenty Million Sweethearts is charming and entertaining with a nice cast going through their usual paces on screen. It may not be the best film ever made about radio, but until the day that one comes along, I'll string along with Twenty Million Sweethearts.

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