Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Mike is a great tuna fisherman though he lost a hand to a shark years earlier saving Pipes Boley. Now Mike is happily married to Quita and doesn't notice that Pipes and Quita are falling ... See full summary »
Edward G. Robinson,
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
An American banker goes to a small Balkan country looking to invest his bank's money and shore up the country's weak economy in order to maximize the return on their investment. Towards ... See full summary »
J. Farrell MacDonald
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <firstname.lastname@example.org>
Funny and intelligent comedy features a brilliant performance by Barrymore, spoofing his earlier "Svengali" role. He looks and acts a lot like Peter Sellars would in later similar performances; now morose, then practically jumping with energy. Lombard also turns in a right-on performance.
Here is a film where Hawks really finds his mark, because the comedic action is perfectly timed, flows nicely, and feels natural, and even includes some early Hawks "overlapping dialogue".
Hardly a dull moment, miles above its peers.
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