In 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what ... See full summary »
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Carl Bellairs and Lindsey Lane, his daughter, meet many years after he deserted her and her mother. They don't much like each other, but wind up working in the same nightclub. Bellairs ... See full summary »
Ernest B. Schoedsack
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <email@example.com>
Howard Hawks' early foray into screwball comedy pits the wonderful pairing of John Barrymore and Carole Lombard against each other. She is Lily Garland, a Broadway actress about to break in Hollywood; he's her theatrical producer and on-off beau, desperate for her to stay. Around half of the film is taken up with them screeching at each other, leaving the supporting actors with very little to do.
There is a lot of sparkle here, great performances from the two leads, who work together just fine, and a screenplay which moves almost as fast as the train which gives the movie its title. Ten years after this was made, both Barrymore and Lombard were dead, but this stands as a fine epitaph for them together.
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