Famous motor-racing champion Joe Greer returns to his hometown to compete in a local race. He discovers his younger brother has aspirations to become a racing champion and during the race ... See full summary »
Mike is a great tuna fisherman though he lost a hand to a shark years earlier saving Pipes Boley. Now Mike is happily married to Quita and doesn't notice that Pipes and Quita are falling ... See full summary »
Edward G. Robinson,
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be... See full summary »
William A. Wellman
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <firstname.lastname@example.org>
I have seen Twentieth Century several times and even quote one of the great Barrymore lines: After me, she's mousing around with that boy?
Barrymore succeeds so well in this film since he is parodying himself. He exaggerates and the voice is used like a singer who scoops the bottom and then rises an octave or two. It is great fun to hear him ham-up the lines. Lombard matches him in her own fashion and together they create a great comedy team. Unfortunately it is a one-time gag: there are just so many times an actor can parody himself without repeating or ruining any serious moments he might try in another film. (--or herself as Tallulah learned when she tried to perform "Streetcar Named Desire").
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