Mike is a great tuna fisherman though he lost a hand to a shark years earlier saving Pipes Boley. Now Mike is happily married to Quita and doesn't notice that Pipes and Quita are falling ... See full summary »
Edward G. Robinson,
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
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J. Farrell MacDonald
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <email@example.com>
Howard Hawks was concerned when Carole Lombard could not perform the kicking scene very well. Hawks took her out for a walk and recalls, "I asked her how much money she was getting for this picture. She told me and I said, 'What would you say if I told you you'd earned your whole salary this morning and didn't have to act anymore?' And she was stunned. So I said, 'Now forget about the scene. What would you do if someone said such and such to you?' And she said, 'I'd kick him in the balls.' And I said, 'Well, he (John Barrymore) said something like that - why don't you kick him?' She said, 'Are you kidding?' And I said, 'No.'" Hawks ended the conversation with, "Now we're going back in and make this scene and you kick, and you do any damn thing that comes into your mind that's natural, and quit acting. If you don't quit, I'm going to fire you this afternoon." Hawks' white lies did the trick, and the scene was filmed. In addition, Hawks claimed that after that, Lombard never began another movie without sending him a telegram that read, "I'm gonna start kicking him." See more »
When the man kneels in front of Jaffe and calls him Maestro, the position of the man's hands change between shots. See more »
One of the top 10 screwball comedies from the 30's
The screwball comedy began in the early thirties and went out of fashion before the second world war. The Twentieth Century of 1934 is a first class screwball comedy especially written for Barrymore who fits the role like a leather glove. The style however is too smart for the general movie consumer outside of large cities like New York where there is real cosmopolitan theater. Lombard is total perfection and excellent opposite to Barrymore. They are funny and dramatic with perfect exact timing seldom seen in film today. One of Howard Hawks extremely over looked movies but will hopefully change now with a new generation. A zany comedy which barely pauses for any kind of romance but is about romance. If you are one of those who love the silver screen and crazy screwball comedy genre of the 30's this is a must.
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