A woman is relieved to learn she is not dying of radium poisoning as earlier assumed, but when she meets a reporter looking for a story about a young girl braving terminal illness, she feigns sickness again for her own profit.
William A. Wellman
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »
Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
A prominent politician is preparing to expose a financial scandal. But then a woman who has invested heavily in the shady venture threatens to uncover a damaging secret in the politician's ... See full summary »
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <firstname.lastname@example.org>
When Jaffe takes over direction, he addresses Lily by her new name and she responds, even though she hasn't heard it before. This gap was caused by the deletion of a brief scene in which O'Malley informs her that Jaffe has changed her name. See more »
I want to send another
. To John Ringling. "I'm in the market for 25 camels, several elephants, and an ibis... Give me the rock-bottom price."
See more »
Nobody gets decapitated, however, as the acronym here stands for Oscar Jaffe. 66 years on, TWENTIETH remains a perfect comedy and a wonderful movie. Howard Hawks' hand is evident, though subtly, in the many ingenious setups and camera movements. Wisely, for the most part he's content to let the play be the thing, blessed as he was with a brilliantly funny property and cast. You all know about Barrymore's ego-monster producer and Lombard as his diva-protege, but not enough has been written in praise of the crack support of Roscoe Karns, Walter Connolly, Charles Lane and unforgettable Etienne Girardot. Of course, Barrymore outshines them all, with his 'iron-door' pronunciamentos, his acting out every role in the antebellum play he's staging, and even his unforgettable enunciation of the name 'Max Mandelbaum'. They don't make 'em like this any more, but the hard fact is they didn't often make 'em like this back then, either. Why are you reading this when you could be renting the video??
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