Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be... See full summary »
William A. Wellman
Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is ... See full summary »
A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver--who first meet when she stiffs him for the fare--but other matters keep getting in their way, including financial problems and a murder.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <firstname.lastname@example.org>
When Jaffe takes over direction, he addresses Lily by her new name and she responds, even though she hasn't heard it before. This gap was caused by the deletion of a brief scene in which O'Malley informs her that Jaffe has changed her name. See more »
John Barrymore is in rare form in Twentieth Century (1934), Howard Hawks's hilarious, fast-paced screwball comedy. He plays flamboyant Broadway director-producer Oscar Jaffe, a man for whom the whole world is truly a stage. The always enchanting Carole Lombard co-stars as Mildred Plotka/Lily Garland. (Oscar demanded the name change because Mildred Plotka isn't nearly as glamorous sounding as Lily Garland.) Mildred, an aspiring Broadway actress, is remade by Oscar into a star of the New York stage. For three years he directs her plays, guides her career, and is her lover. But after they have a big disagreement, she takes off for Hollywood. Her career soars; his plummets. Time passes and then on board the Twentieth Century heading for Grand Central Station, they meet again. As usual in a Hawks film, the supporting cast is outstanding; and Ben Hecht and Charles MacArthur's screenplay is one of their finest.
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