Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be... See full summary »
William A. Wellman
Fan dancer Alabam Lee is convicted of breaching the morals code with her racy shows. Her agent has her adopt a "mother" from an old ladies home as a publicity ploy to improve her image. ... See full summary »
While out riding in the country, wealthy New Yorker Alec Walker meets young widow Julie Eden, and a relationship quickly develops. However, Alec has not told her that he is already locked ... See full summary »
Young lawyer meets and marries girl after knowing her one day. Takes bride home to meet his mother who disapproves of the marriage. Lawyer thinks everything will be fine as he moves up the ... See full summary »
Clark Gable plays a card cheat who has to go on the lam to avoid a pesky cop. He meets a lonely, but slightly wild, librarian, Carole Lombard, while he is hiding out. The two get married ... See full summary »
In Panama, Maggie King meets soldier Skid Johnson on his last day in the army and reluctantly agrees to a date to celebrate. The two become involved in a nightclub brawl which causes Maggie... See full summary »
Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is ... See full summary »
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor. Written by
Dan Navarro <firstname.lastname@example.org>
Howard Hawks was concerned when Carole Lombard could not perform the kicking scene very well. Hawks took her out for a walk and recalls, "I asked her how much money she was getting for this picture. She told me and I said, 'What would you say if I told you you'd earned your whole salary this morning and didn't have to act anymore?' And she was stunned. So I said, 'Now forget about the scene. What would you do if someone said such and such to you?' And she said, 'I'd kick him in the balls.' And I said, 'Well, he (John Barrymore) said something like that - why don't you kick him?' She said, 'Are you kidding?' And I said, 'No.'" Hawks ended the conversation with, "Now we're going back in and make this scene and you kick, and you do any damn thing that comes into your mind that's natural, and quit acting. If you don't quit, I'm going to fire you this afternoon." Hawks' white lies did the trick, and the scene was filmed. In addition, Hawks claimed that after that, Lombard never began another movie without sending him a telegram that read, "I'm gonna start kicking him." See more »
When the man kneels in front of Jaffe and calls him Maestro, the position of the man's hands change between shots. See more »
It's the truth, whether you know it or not.
Owen, take this creature who came to me as an office boy as Max Mendlebaum and who is now Max Jacobs for some mysterious reason and throw him into the street.
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John Barrymore is in rare form in Twentieth Century (1934), Howard Hawks's hilarious, fast-paced screwball comedy. He plays flamboyant Broadway director-producer Oscar Jaffe, a man for whom the whole world is truly a stage. The always enchanting Carole Lombard co-stars as Mildred Plotka/Lily Garland. (Oscar demanded the name change because Mildred Plotka isn't nearly as glamorous sounding as Lily Garland.) Mildred, an aspiring Broadway actress, is remade by Oscar into a star of the New York stage. For three years he directs her plays, guides her career, and is her lover. But after they have a big disagreement, she takes off for Hollywood. Her career soars; his plummets. Time passes and then on board the Twentieth Century heading for Grand Central Station, they meet again. As usual in a Hawks film, the supporting cast is outstanding; and Ben Hecht and Charles MacArthur's screenplay is one of their finest.
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