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|Index||114 reviews in total|
Utterly brilliant film that was unfortunately very difficult to find (along with some other great films by propaghandist directors like Sergei Einsten)until a dvd release recently . Just look at the long shots. Absolutely no cameras visible. Truly meticulous work. Astounding score. The opening sequence of Hitler's descent is brilliant artistry, with the director creating the implicit parallel of God's descent from heaven. Excellent film for anyone remotely interested in politics since all these techniques are routinely used in campaign ads. People often neglect to realize the inherent politicality of all art. Art's politics is at its most dangerous when we fail to realize this simple truth - art and politics are inextricably linked. Do you think there's not a reason why the American market will soon be glutted with war films as we prepare for one? gee, i wonder. Riefenstahl is an amazing director, one that should have done more films. When we censor great works for fear of "what they might do to the 'ignorant'", we're a lot closer to the fascists than their detractors.
Triumph Des Willens was a blockbuster film in a number of ways. It was meant to be a proper memorializing of an annual NSDAP Parteitag held in Nurenburg. A prior attempt, Sieg Des Glaubens, had proved to be a failure. Adolf Hitler gave director Leni Riefebstahl full rein to use all means to make this film the success which he wanted. First, many innovations in camera techniques, sound synchronization, storyboarding, staging, etc., made movie history. Second, it was an overt appeal to the emotions of both Germans and foreigners that suggested the excitement for and the apparent power of the new Third Reich. Third, the film was part of a multimedia campaign ahead of its time. Its success was confirmed for many years by the almost universal ban most countries placed on its showings. And sixty years later it is still effective in both thrills and chills. Highlights: the first 20 minutes or so resemble a media drama; the solemn military reviews demonstrate components of state power; speeches illustrate the personnel in power at the time. Quite a package!
This film can only be judged or analyzed in any meaningful way only by
those who can envision Germany and its people with the hindsight of the
decade following its defeat in WWI and the ensuing economic chaos of
the 1920s. For those of us who can objectively remove ourselves from
our time and revisit the year in which it was filmed, 1934, and then
compare it only with all other films made during that early part of the
20th Century can we locate the single word describing it
We are called to objectivity when commenting on a book or film, a piece of art, or product. Only when that is accomplished does a comment have any enduring and meaningful value. Another thing I have found astonishing about this film and its creator is the seemingly unique inability of those commenting on it to be objective. It is seen in the overwhelming number of cases, not from the time in which it was made but with the hindsight of decades of history that had not yet taken place.
Whatever ones beliefs this is amazing. Leni Riefenstahl was a great director with amazing vision.Not alone is there all the marching and saluting which one would expect from a documentary filmed in Nazi Germany but Riefenstahl also gives snap shots of the people who are in the crowd at the various events.The looks of amazement and zeal on the faces of many who are watching is testimony, in my opinion ,to how mesmerizing an event this was.Riefenstahl captures the atmosphere and the excitement of this event.The last seen where Hitler is giving a fiery speech shows Riefenstahls genius at work.The camera angles are amazing and give a feeling of being there.I would highly recommend this not only to historians but also to students of film.
*** This review may contain spoilers ***
This is the movie featuring the most beautiful visual and audio
sequences ever done. Leni Rifenstahl does truly unparallell job
transmitting the unique atmosphere of unity, pride, joy, love and
compassion of 3 days in Nurnberg onto the screen. Her ideas of camera
work, sharp editing and close-ups served as example for most modern
Since it's a documentary, the movie revolves around prominent Nazional Socialist leaders delivering speeches in a large party meeting. Most of the speeches deal with then-current events in Germany, so it's a good idea to read a history book if you're not familiar with them, to fully understand the movie. Some scenes are absolutely fascinating: Hess's opening speech, Hither addressing Labour Movement and the SA/SS meeting.
P.S. BTW, despite popular beliefs, there are no antisemitic or chauvinistic remarks or propaganda speeches in the movie, so it's no more offensive than history channel. A must-see for everyone, who's interested in history and sociology.
*** This review may contain spoilers ***
Triumph Of The Will is the official record of the Nazi party congress
held at Nuremberg in 1934.
It's a devastatingly brilliant piece of film-making - right from the opening sequence of Adolf Hitler descending from the skies, his plane shadowed against the clouds. The rally scenes are a terrifying example of the camera's power of propaganda. After World War II the film was banned for many years because of general fears that it might inspire a new Nazi party. Director Leni Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden, and other countries.
They should take the word infamous off the poster and out of the summary because this is and will always be the best documentary ever made. People who study film in college this is the first film they study because it was a historical moment in film history. This documentary was made by a female in 1934 which was unheard of in that time period which shows you that we were more sexist back in 1934 then the Nazi's were and yet they are the so called bad guys. It was also made with over 100 camera's and was filmed 5 years before the war even took placed and yet it is banned in Germany only because they do not want it to happen again which was the most foolish thing that the German government could of ever done.
There is scarcely a review which doesn't focus on the meaning or message
contained within this film.
I don't mean to suggest that those elements don't exist; I merely want to suggest that there is much more in this powerful film.
Like Olympia, this is a masterfully crafted work of art.
After winning elections, the National Socialist Party of Germany held a congress in 1934, a demonstration of force that was filmed "to show the world the triumph of the will of the German people." After the Führer literally arrives from heaven and we witness the healthy, disciplined and pure Arian party members gathered in Nuremberg, the documentary goes from the general to the particular with clever audiovisual manipulation, through marches, speeches and banners, turning the masses that celebrate the triumph of their will into a perfect piece of architecture, a magnificent structure that is reduced to the power of the Party. For decades, this so-called work of "reactionary modernism" was dismissed after the revelation of the Nazis' iniquity. However, after emotions are subdued, the masterfulness of director Leni Riefenstahl is evident (see "Die Match der Bilder.") In this and her 1938 film of the Olympic Games in Berlin, "Olympia", she coined techniques that today are common place in the entertainment industry. So don't be surprised if today you watch a football game with technical solutions of Nazi origin...
No matter what you think of Nazis this film is brilliant. It was the first of the kind political documentary. The beginning may bore some viewers, but those who stay will be rewarded by some of the most famous documentary footage ever shot. I feel I could see this movie a few times without being bored. In fact, the more you watch the more fun it is.
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