Set in the India of the British Raj. All the Indians are portrayed as untrustworthy, plotting to overthrow their British masters. The only 'loyal' Indian is Prince Azim who tries to warn ... See full summary »
Hapless driving instructor and former Gunnery Sergeant Rafferty, living in squalor near Hollywood, California, doesn't put up too much of a fight when two ladies hitch a ride and attempt to... See full summary »
Frederick Osborne, Junior is slightly agitated because his father, Senior, is acting more like a college student than the president of a huge merchantile fleet. Senior reveals that he is ... See full summary »
Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. ... See full summary »
Jimmy writes the 'Up and Down Broadway' column for the New York Globe, and he is head over heels for Mary. But Mary is more interested in her career and is looking at starring on Broadway ... See full summary »
William A. Wellman
Douglas Fairbanks Jr.,
A well-meaning but bumbling clerk at the Marriage License Bureau winds up getting fired. He decides to open up his own "matchmaking" business and takes a personal interest in his clients, ... See full summary »
Lionel Barrymore often drives me nuts--the same gestures and vocal inflections, playing so many similar roles so similarly. But in this little MGM soap opera, playing a good family man caught up in a potentially devastating financial crisis at work (it's almost like a warmup for "It's a Wonderful Life," with him as George instead of Potter), he's quiet and unhammy and very moving. He's well supported by a similarly restrained Fay Bainter as his wife, and the whole family is convincing--Mae Clarke as the sensible daughter, Tom Powers as the status-conscious son, Una Merkel as the gossipy maid. No surprises, and the plot is resolved by a deus ex machina one doesn't believe for a minute, but it's a simple story well told. And it shows how good Lionel could be when he held back; he's just as good the following year in "Ah, Wilderness!", in a not-that-different part.
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