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This Side of Heaven (1934)

Passed  -  Comedy | Drama | Romance  -  2 February 1934 (USA)
6.7
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Ratings: 6.7/10 from 103 users  
Reviews: 6 user | 2 critic

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Title: This Side of Heaven (1934)

This Side of Heaven (1934) on IMDb 6.7/10

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Cast

Complete credited cast:
...
Martin Turner
Fay Bainter ...
Francene Turner
...
Jane Turner
Tom Brown ...
Seth Turner
Una Merkel ...
Birdie
...
Peggy Turner
Onslow Stevens ...
Walter
Henry Wadsworth ...
Hal
Edward J. Nugent ...
Vance (as Eddie Nugent)
C. Henry Gordon ...
William Barnes
...
Freddie
Rest of cast listed alphabetically:
...
Flower Girl (scenes deleted) (as Dawn O'Day)
Paul Stanton ...
Doctor (scenes deleted)
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Storyline

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Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

2 February 1934 (USA)  »

Also Known As:

A Família  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Paul Stanton (Doctor) and Anne Shirley (Flower Girl) are in studio records/casting call lists for their roles, but are never seen. Shirley (on the books as Dawn O'Day) is out of frame in her scene. See more »

Connections

References Viva Villa! (1934) See more »

Soundtracks

Santa Lucia
(uncredited)
Traditional Italian folksong
Played in the restaurant as part of a medley of Italian songs
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User Reviews

 
Barrymore at his modest best
18 September 2013 | by (New York, NY) – See all my reviews

Lionel Barrymore often drives me nuts--the same gestures and vocal inflections, playing so many similar roles so similarly. But in this little MGM soap opera, playing a good family man caught up in a potentially devastating financial crisis at work (it's almost like a warmup for "It's a Wonderful Life," with him as George instead of Potter), he's quiet and unhammy and very moving. He's well supported by a similarly restrained Fay Bainter as his wife, and the whole family is convincing--Mae Clarke as the sensible daughter, Tom Powers as the status-conscious son, Una Merkel as the gossipy maid. No surprises, and the plot is resolved by a deus ex machina one doesn't believe for a minute, but it's a simple story well told. And it shows how good Lionel could be when he held back; he's just as good the following year in "Ah, Wilderness!", in a not-that-different part.


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