Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer ... See full summary »
Joseph L. Mankiewicz
Lonely in his English country estate, Sir Basil decides to gather his grown (albeit illegitimate) children around him in his declining years. He uses a ledger which keeps track of the ... See full summary »
Robert Z. Leonard
C. Aubrey Smith
After a four year absence, one time detective Nick Charles returns to New York with his new wife Nora and their dog, Asta. Nick re-connects with many of his old cronies, several of whom are eccentric characters, to say the least. He's also approached by Dorothy Wynant whose inventor father Clyde Wynant is suspected of murdering her step-mother. Her father had left on a planned trip some months before and she has had no contact with him. Nick isn't all that keen on resuming his former profession but egged-on by wife Nora, who thinks this all very exciting, he agrees to help out. He solves the case, announcing the identity of the killer at a dinner party for all of the suspects. Written by
In The Thin Man (1934) while serving guests at a Christmas Party, and in My Man Godfrey (1936) when he comes home "intoxicated" William Powell sings the same line to a song, "For tomorrow may bring sorrow, so tonight let us be gay" See more »
Wynant removes his eyeglasses when he realizes the bonds are missing from the lock-box and he turns to Tanner. As he steps towards Tanner however he is wearing his glasses and removes them as he speaks. See more »
I am not really a fan of comedies, but I can definitely appreciate a good one when it comes along. Often times comedies only really work when they are combined with another genre (in the case of this film, the 'hard-boiled detective' film)... and sometimes they achieve brilliance.
In what might have otherwise been a sort of mediocre movie, Bill Powell and Myrna Loy breath a phenomenal life into the roles of Nick and Nora Charles, a rich woman and her dandyish (but dangerous) lush of a detective husband. This film entertains on so many levels and establishes (not exploits) so many cliches that it should be mandatory viewing in any introductory film class.
The plot of The Thin Man is pretty much peripheral to the performances by Low and Powell, but it is involving in its own way. Murder, loose women, police brutality (fun police brutality), adultery, polygamy, science, swindles, two dinner parties and drinking... lots and lots of drinking... all combine into one hell of fun movie. There is even a fair amount of tension in the film and all kinds of great one-liners and set-ups.
This is quite simply a phenomenal film, lots of fun (even for Gen Xers like myself), and well worth watching.
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