The Thin Man (1934)

User Rating:

8.0/10   

Director:

W.S. Van Dyke

Writers:

Albert Hackett (screenplay) and
Frances Goodrich (screenplay) ...

Release Date:

25 May 1934 (USA)

Genre:

Comedy | Crime | Drama | Mystery | Romance

Tagline:

A laugh tops every thrilling moment!

Plot:

Comedy-mystery featuring Nick and Nora Charles: a former detective and his rich, playful wife. They solve a murder case mostly for the fun of it.

Plot Keywords:

Detective | Murder | Inventor | Dinner | Dinner Party

Awards:

Nominated for 4 Oscars. Another 1 win

Cast

William Powell	...	Nick
Myrna Loy	...	Nora
Maureen O'Sullivan	...	Dorothy
Nat Pendleton	...	Guild
Minna Gombell	...	Mimi
Porter Hall	...	MacCaulay
Henry Wadsworth	...	Tommy
William Henry	...	Gilbert
Harold Huber	...	Nunheim
Cesar Romero	...	Chris
Natalie Moorhead	...	Julia Wolf
Edward Brophy	...	Morelli
Edward Ellis	...	Wynant
Cyril Thornton	...	Tanner

Runtime:

91 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

UK:A (original rating) | Netherlands:AL (DVD rating) | Canada:PG (video rating) | South Korea:12 (2003) | Argentina:13 | Finland:(Banned) (1934-1938) | Finland:K-16 (1938) | USA:Approved (PCA #1304-R: 26 August 1935) | Germany:6 | Canada:PG (Ontario) | UK:U

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Skippy, who played Asta the dog, bit Myrna Loy during filming.

Goofs:

Continuity: At Nick and Nora's apartment, Nora folds her arms in front of her. In the next shot, she's holding her hands behind her back.

Quotes:

[first lines]
Tanner: Your daughter's here, Mr. Wynant. Mr. Wynant! Mr. Wynant!
Clyde Wynant, the thin man: Haven't you got any more sense than to shout at me like that?

Movie Connections:

Referenced in "Mystery Science Theater 3000: Deathstalker and the Warriors from Hell (#8.3)" (1996)

Soundtrack:

Jingle Bells

'The Thin Man' is still as fast-paced, stylish, sexy and hilarious as it ever was

Where to begin? I guess I'll start off by saying that this is one of my favorite films of all time. I first saw it on TV years ago (I was probably eleven or twelve) and I still totally love it. Every time I see it, I feel like I get more out of it. I feel like I see AND hear more than I did before.

The story goes that creepy Clyde Wynant (wonderful character actor Edward Ellis) wants to give some bonds to his daughter Dorothy (Maureen O'Sullivan) as a wedding present. But his mistress Julia (Natalie Moorhead) has gotten rid of them. When Julia turns up murdered, Wynant is the obvious suspect, but nobody can find him.

Enter Nick and Nora Charles (William Powell and Myrna Loy), a detective and heiress, just recently married, and clearly very much in love. Nick finds himself pulled into the case, with everyone around him urging him into it. He's reluctant: it's his honeymoon after all. But sure enough he's persuaded to take the case, solves it and exposes the murderer at a climactic dinner party.

Bill Powell and Myrna Loy have astounding chemistry. As husband and wife, they are equals, equally hard-drinking, equally witty, equally fun-loving. They have the same sense of adventure, the same stubbornness, the same competitiveness. In so many scenes, Powell will saw something in his playful, semi-childish, half-drunk sort of way, and Loy will respond with some fabulously delivered retort, in a manner that is almost like a world-wary mother saying to her child 'Now, now, Junior...' It's hard to describe exactly. If anything, I suppose you could say it's deceptively simple. It's one of those things you have to see for yourself.

The rest of the cast is good. I particularly love Minna Gombell, Mynant's ex-wife Mimi, with her latin boyfriend (Cesar Romero) and her tight, shiny black dresses with white fur-lined princess sleeves. Slight, ernest and bespeckeled, William Henry turns in a riotous performance as Gilbert, Mimi and Clyde Wynant's son and Dorothy's brother. A Kinsey-lke figure, the role of Gilbert is one of those bookish, overly-analytical Hollywood stock characters who try to explain other character's subconscious reasons for their actions, and who give strangers peculiar looks at parties. Henry makes the character believable, and he stands out as one of the characters in the movie. Gerturde Short, in an uncredited role, gives a good performance as well. Her delivery of the "I don't like crooks, and if I did like'em..." line is unforgettable. (If you blink, you'll miss Tui Lorraine Bow, friend and step-mother of It Girl Clara Bow! Bert Roach of The Crowd has a small role as well.)

For a modestly-budgeted, rapidly shot, b-level production, The Thin Man is a classy and stylish film. The clothes, assembled by the genial Dolly Tree, are great, and make this a must-see anyone even remotely interested in period fashions. The art deco sets are quite fine, if modest and at times a bit sparse. The editing is good, as is the fairly simplistic photography. Woody Van Dyke, the director, always worked fast, and Myrna Loy recalled that all the movies they worked together on were made at frantic pace. Part of the reason that The Thin Man moves so quickly is the fact that production was so hurried.

The Thin Man gets a ten out of ten from me for being one of the best films ever produced, and one of my absolute favorites of all time.