The scenario follows the book closely. Tarzan's son Jack (Korak to the apes) is kidnapped from England by Tarzan's old enemy Paulovich. He escapes into the African jungle with the help of ... See full summary »
Arthur J. Flaven,
Kamuela C. Searle,
P. Dempsey Tabler,
Summoned by an Indian princess, Tarzan travels to India where hundreds of wild elephants are in danger. A company is building a hydroelectric dam and the contractors have only a few weeks ... See full summary »
The Green Goddess is a totem worshiped by the primitive natives of a lost city deep in the jungles of Guatemala. It contains both a fortune in jewels and an ancient formula for a ... See full summary »
After Tarzan's estate is destroyed by Arabs Jane is sold into slavery by a man posing as a friendly scientist. Tarzan develops amnesia after a blow to the head. When he recovers his memory ... See full summary »
The Lionians are a tribe dying of a mysterious disease. Their Chief decides to kidnap Jane and Lola, a half-breed nurse, in order to help repopulate his civilization. Tarzan must rescue ... See full summary »
Tarzan and Jane are sailing for France in answer to a call for help from Countess de Coude who is being persecuted by her brother Rokoff. After a duel with the Countess' jealous husband, ... See full summary »
The international criminal Vinaro enjoys sending explosive wristwatches to his enemies. Here he kidnaps ten-year-old Ramel whom he thinks can lead him to the lost city of gold. Tarzan ... See full summary »
Manuel Padilla Jr.
In the first sequel to Tarzan, the Ape Man, Harry Holt returns to Africa to head up a large ivory expedition. This time he brings his womanizing friend Marlin Arlington. Holt also harbors ideas about convincing Jane to return to London. When Holt and Arlington show Jane some of the modern clothes and perfumes they brought from civilization, she is impressed but not enough to return. Tarzan wrestles every wild animal imaginable to protect Jane but when he disallows the expedition from plundering ivory from the elephant burial grounds, it is he who takes a bullet from Arlington's gun. Jane eventually believes that Tarzan is dead but he is nursed back to health by the apes. As Jane and the returning expedition are attacked by violent natives, we wonder if Tarzan can rescue them yet again. Written by
Gary Jackson <firstname.lastname@example.org>
The "African" elephants were actually Indian elephants fitted with prosthetic tusks and ears, as MGM already owned several Indian elephants and considered them easier to handle. See more »
When Martin and Harry are talking around the table, Martin holds the pipe with his right hand about his belly. From one shot to another, his right hand appears about his chest and, subsequently, holding the pipe in the mouth. See more »
It feels weird saying this as a young black man of 29, but Maureen O'Sullivan engenders/embodies a flirty sexuality unequaled in today's movies. She plays tomboyish, but is so flirty at the same time that renders her simply irresistible as Jane. I'm also surprised that Tarzan is still so rough with her and that that was acceptable back in the day. I mean, it's cute, but a tad ungentlemanly.
Since I need to write at least ten lines, I'll continue on...
It's actually really refreshing, the irrelevance of the shame of nudity in this film. Here we are, in 1934, with a man undressing for a bath in the same room with his friend. Jane's naked silhouette tempting the imaginations of every red-blooded American. It's just so natural and alluring in its unabashedness. The skinny-dipping scene is a beautiful ballet of light, water, and skin. It's not pornographic, simply playful and free.
As a black man, I'd love if there was some way the treatment of blacks in this film weren't so harsh, as though all they are are beasts of burden, but I suppose it was a sign of the times. It's darned near slavery. But then again, I never traveled on safari in Africa in the 30s.
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