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This 13 chapter serial is based on the comic strip character Ace Drummond created by Eddie Rickenbacker. Ace is a 'G-Man of the sky' working out of Washington D.C. He is sent to Mongolia to... See full summary »
Directors:
Ford Beebe,
Clifford Smith
Stars:
John 'Dusty' King,
Jean Rogers,
Noah Beery Jr.
In the African Jungle, a group of Europeans come across the fabled white man who was raised by apes. Tarzan takes an immediate liking to the blond Mary Brooks and rescues her during a nasty... See full summary »
The nefarious Dr. Fu Manchu searches for the keys to the tomb of Genghis Khan, in order to fulfill a prophecy that will enable him to conquer the world. His nemesis, Dr. Nayland Smith, and ... See full summary »
Directors:
John English,
William Witney
Stars:
Henry Brandon,
William Royle,
Robert Kellard
Tarzan must escort his prisoner Coy Banton out of the jungle to the authorities. The boat is blown up by Coy's father and brothers. In addition to Coy Tarzan must now lead five more of the ... See full summary »
Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates)search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Lured by gold, two greedy peasants escort a man and woman across enemy lines. However, they do not realize that their companions are actually a princess and her general.
Columbia's 7th serial (between Flying G-Men and Overland With Kit Carson)was based on the King Features newspaper comic strip created by Lee Falk and Phil Davis, Mandrake the Magician, the ... See full summary »
Lady scientist, Hilary Parker is searching for a rare drug to help combat polio. Opportunist Bruce Edwards joins the quest but is actually after gold and buried treasure.
Director:
William Berke
Stars:
Johnny Weissmuller,
Virginia Grey,
George Reeves
In the first sequel to Tarzan, the Ape Man, Harry Holt returns to Africa to head up a large ivory expedition. This time he brings his womanizing friend Marlin Arlington. Holt also harbors ideas about convincing Jane to return to London. When Holt and Arlington show Jane some of the modern clothes and perfumes they brought from civilization, she is impressed but not enough to return. Tarzan wrestles every wild animal imaginable to protect Jane but when he disallows the expedition from plundering ivory from the elephant burial grounds, it is he who takes a bullet from Arlington's gun. Jane eventually believes that Tarzan is dead but he is nursed back to health by the apes. As Jane and the returning expedition are attacked by violent natives, we wonder if Tarzan can rescue them yet again. Written by
Gary Jackson <garyjack5@cogeco.ca>
The infamous nude swimming scene was originally filmed in three different versions: with Jane wearing her traditional costume, with Jane topless and with Jane fully nude. US states were empowered at that time to enact individual censorship laws, and three different versions of the scene were filmed in order to allow individual states to select the version of the scene which best conformed to its laws. All three versions were eventually removed from the film due to protests from conservative religious groups, particularly the powerful Catholic Legion of Decency. The nude version of the scene was discovered in the vaults of Turner Entertainment during the late 1990s following its purchase of the MGM film library, and was restored to most subsequent versions of the film on the direct orders of Turner Entertainment chairman Ted Turner. In the restored version of the scene, Tarzan is depicted wearing his traditional loincloth while Jane appears fully nude, her costume having been torn off when Tarzan playfully tosses her from a tree to the water below. The scene as it exists today is approximately four minutes in duration. See more »
Goofs
When Martin and Harry are talking around the table, Martin holds the pipe with his right hand about his belly. From one shot to another, his right hand appears about his chest and, subsequently, holding the pipe in the mouth. See more »
Quotes
[first lines]
Beamish:
I wouldn't trust meself in that jungle if it was me, sir.
Harry Holt:
Well, I will.
See more »
I often half-jokingly refer to "Tarzan and His Mate" as the "T2" of the 1930s, simply because it's packed with special effects, action, and spectacle of the big budget variety that I usually associate with modern films. Sure, some of the visuals look duff now - there's heavy use of rear screen projection and rubber animals - but there's also amazing sights like elephant stampedes, monkeys fighting tigers, hapless people tumbling off cliffs, and a huge elephant graveyard that must rank among the most memorable movie sets of all time.
Never mind the spectacle, though; the best part is the script. Maureen O'Sullivan has a surprisingly wonderful role as Jane. In fact, she carries the movie, since all Tarzan can really do is yodel and swing. She has to fend off the advances of two unsavory ivory hunters who want to lure her back to civilization. Tarzan is doubly threatened by these seedy guys - they want to kill his elephants AND they want his woman. This dual conflict keeps the movie cooking.
There's an amazing amount of violence in the film, including some spectacular battles with nasty tribesmen and knife fights with huge beasties. You'll even get to see a corpse with an arrow through its forehead and bugs crawling all over it. There's a bit of nudity as well, but don't get too excited as it's not really Maureen O'Sullivan swimming in the buff (but it is still swimming in the buff, so feel free to get excited anyway!). Amazing, isn't it, that "Tarzan and His Mate" is such a visceral viewing experience...especially when compared to the much tamer films that followed after Hollywood instituted a strict moral code.
Romantic, sexy, exciting, exotic - in short, all you could expect from a Tarzan movie. And the heroic monkeys are just the cutest thing ever. Once you make it past a rather dry first scene, this movie rocks all the way through.
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I often half-jokingly refer to "Tarzan and His Mate" as the "T2" of the 1930s, simply because it's packed with special effects, action, and spectacle of the big budget variety that I usually associate with modern films. Sure, some of the visuals look duff now - there's heavy use of rear screen projection and rubber animals - but there's also amazing sights like elephant stampedes, monkeys fighting tigers, hapless people tumbling off cliffs, and a huge elephant graveyard that must rank among the most memorable movie sets of all time.
Never mind the spectacle, though; the best part is the script. Maureen O'Sullivan has a surprisingly wonderful role as Jane. In fact, she carries the movie, since all Tarzan can really do is yodel and swing. She has to fend off the advances of two unsavory ivory hunters who want to lure her back to civilization. Tarzan is doubly threatened by these seedy guys - they want to kill his elephants AND they want his woman. This dual conflict keeps the movie cooking.
There's an amazing amount of violence in the film, including some spectacular battles with nasty tribesmen and knife fights with huge beasties. You'll even get to see a corpse with an arrow through its forehead and bugs crawling all over it. There's a bit of nudity as well, but don't get too excited as it's not really Maureen O'Sullivan swimming in the buff (but it is still swimming in the buff, so feel free to get excited anyway!). Amazing, isn't it, that "Tarzan and His Mate" is such a visceral viewing experience...especially when compared to the much tamer films that followed after Hollywood instituted a strict moral code.
Romantic, sexy, exciting, exotic - in short, all you could expect from a Tarzan movie. And the heroic monkeys are just the cutest thing ever. Once you make it past a rather dry first scene, this movie rocks all the way through.