The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is ... See full summary »
The Green Goddess is a totem worshiped by the primitive natives of a lost city deep in the jungles of Guatemala. It contains both a fortune in jewels and an ancient formula for a ... See full summary »
The spiritual leader of an oriental country is dying. The leader's evil brother Khan is plotting to prevent Kashi, the youthful heir, from assuming his rightful position. Tarzan is summoned... See full summary »
The scenario follows the book closely. Tarzan's son Jack (Korak to the apes) is kidnapped from England by Tarzan's old enemy Paulovich. He escapes into the African jungle with the help of ... See full summary »
Arthur J. Flaven,
Kamuela C. Searle,
P. Dempsey Tabler,
Zandra, white princess of a lost civilization, comes to Tarzan for help when Nazis invade the jungle with plans to conquer her people and take their wealth. Tarzan, the isolationist, ... See full summary »
An aviatrix emerges from the jungle looking as young as she was when her plane went down many years before. Unscrupulous hunters discover that this is due to a secret fountain of youth. ... See full summary »
In the first sequel to Tarzan, the Ape Man, Harry Holt returns to Africa to head up a large ivory expedition. This time he brings his womanizing friend Marlin Arlington. Holt also harbors ideas about convincing Jane to return to London. When Holt and Arlington show Jane some of the modern clothes and perfumes they brought from civilization, she is impressed but not enough to return. Tarzan wrestles every wild animal imaginable to protect Jane but when he disallows the expedition from plundering ivory from the elephant burial grounds, it is he who takes a bullet from Arlington's gun. Jane eventually believes that Tarzan is dead but he is nursed back to health by the apes. As Jane and the returning expedition are attacked by violent natives, we wonder if Tarzan can rescue them yet again. Written by
Gary Jackson <firstname.lastname@example.org>
This Tarzan Film Just About Has It All, Including Skin
Considered by almost all the critics to be the best of the Johnny Weissmuller Tarzan films, I have no argument with that, although there are a couple of others I thought just as entertaining. One thing: it's the longest of the series that I've seen at 105 minutes. I've only seen six of them but this was longer than I'm used to and with the drawn-out action finale I thought the whole thing was a bit too long.
Nonetheless, it is a good mixture of action, suspense and romance. The only things missing are color and stereo sound. The primitive special-effects don't bother me, as that was all that they had back in the 1930s.
Among some, this film is most noted for one thing: skin! "Jane" never wore anything this skimpy after this film as the Hays' Code was instituted by the time the next Tarzan film was made. Her outfit showed what a great figure Maureen O'Sullivan possessed. The nude underwater scene, however, was not her - by a longshot. The woman under the water didn't have a good figure at all, whoever it was.
There is plenty of action in here. Up to the finale, it was not overdone, either. The ending went on for 15 minutes, though, and was so intense that it was almost too much to watch.
Still, this movie offers about everything - except "Boy" (their adopted son) - you'd want to see in a Tarzan film, even O'Sullivan doing her Tarzan yell about a dozen times. With her pair of "lungs," that was no problem.
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