| Photos (See all 24 | slideshow) | Videos (see all 3) |
| John Wayne | ... | U.S. Marshal John Travers | |
| Verna Hillie | ... | Anita Matlock | |
| George 'Gabby' Hayes | ... | Matt Matlock (as George Hayes) | |
| Yakima Canutt | ... | Yak | |
| Billy Franey | ... | Henchman in the Stump | |
| Eddie Parker | ... | Henchman Parker (as Ed Parker) | |
| Earl Dwire | ... | Henchman Mason | |
| Thomas G. Lingham | ... | Sheriff Al Davis (as Tom Lingham) | |
| rest of cast listed alphabetically: | |||
| Davie Aldrich | ... | Young Boy (uncredited) | |
| Frank Ball | ... | Townsman (uncredited) | |
| George Cleveland | ... | Jake - Cook (uncredited) | |
| Arthur Millett | ... | Townsman (uncredited) | |
| Artie Ortego | ... | Henchman Pat (uncredited) | |
| Tex Palmer | ... | Dave - Stagecoach Driver (uncredited) | |
| Glenn Strange | ... | Loco Frank - Henchman (uncredited) | |
Directed by | |||
| Robert N. Bradbury | (as R.N. Bradbury) | ||
Writing credits | ||
| Robert N. Bradbury | (story) (as R.N. Bradbury) | |
| Robert N. Bradbury | (screenplay) (as R.N. Bradbury) | |
Produced by | |||
| Paul Malvern | .... | producer | |
Cinematography by | |||
| Archie Stout | (photographed by) | ||
Film Editing by | |||
| Carl Pierson | |||
Sound Department | |||
| John Stransky Jr. | .... | sound recordist (as J.A. Stransky Jr.) | |
Stunts | |||
| Yakima Canutt | .... | stunts (uncredited) | |
| Eddie Parker | .... | stunts (uncredited) | |
Music Department | |||
| Abe Meyer | .... | musical director (uncredited) | |
Other crew | |||
| E.R. Hickson | .... | technical director | |
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| Riding Shotgun | Son of Zorro | High Noon | Crossfire Trail | Bend of the River |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Definitely the best of Wayne's early films, although the acting and production values were of the usual standard the plot was far more cohesive and watchable. Almost believable, too! The Lone Star Saloon in Lone Star Town also had a good part in this one.
It's pretty obvious who the baddie will turn out to be (yet again!) - you can almost hear the boos from the kids in the audience from the mid-'30's when he makes his appearance, again as a beardless two-faced sidewinder. I assume here that unlike nowadays kids back then knew the difference between good guys and bad guys and right and wrong. Yak is Tonto in here, Wayne is as dashing as always, the chases and ambushes are everything to be desired. However, I can't actually remember now Wayne actually packing a Star, if he did he didn't make the same song and dance about it as he did in Rio Bravo! And everything is corny, contrived and creaky - but I love it just the same.
As far as I'm concerned it's a very pleasant way to fill an hour. If you forced yourself to watch Star Packer and found it dreadful you certainly won't like any of Wayne's other films for Lone Star.