The Three Mesquiteers convince a group of settlers to exchange their present property for some which, unbeknownst to our good guys, is going to be worthless. They are captured before they can warn the ranchers.
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. ... See full summary »
U.S. House Un-American Activities Committee investigators Jim McLain and Mal Baxter attempt to break up a ring of Communist Party troublemakers in Hawaii (ignoring somewhat, as do their ... See full summary »
When a stranger arrives in a western town he finds that the rancher who sent for him has been murdered. Further, most of the townsfolk seem to be at each other's throats, and the newcomer ... See full summary »
Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
In British colonial America, Captain Swanson's adherence to the rules results in Trader Callendar's selling to the Indians under cover of a government permit. Jim Smith won't sit still for ... See full summary »
Foreign agents are smuggling monium (a chemical used in producing poison gas) into Mexico. The three Mesquiteers bet involved when they ride to save a girl (really a government agent) on a runaway horse.
John Travers and his Indian companion Yak are after the mysterious Shadow and his gang. When Sheriff Davis is killed, Travers becomes Sheriff. Catching two gang members, he learns of the room where the gang gets their orders from behind a fake wall safe and makes plans to trap the Shadow. Written by
Maurice VanAuken <email@example.com>
Travers rides from town to recover the saddlebags riding a grey horse, and swaps horses with Yak for a bay or chestnut one. Yet the two men who follow him make no comment about this obvious change. See more »
Definitely the best of Wayne's early films, although the acting and production values were of the usual standard the plot was far more cohesive and watchable. Almost believable, too! The Lone Star Saloon in Lone Star Town also had a good part in this one.
It's pretty obvious who the baddie will turn out to be (yet again!) - you can almost hear the boos from the kids in the audience from the mid-'30's when he makes his appearance, again as a beardless two-faced sidewinder. I assume here that unlike nowadays kids back then knew the difference between good guys and bad guys and right and wrong. Yak is Tonto in here, Wayne is as dashing as always, the chases and ambushes are everything to be desired. However, I can't actually remember now Wayne actually packing a Star, if he did he didn't make the same song and dance about it as he did in Rio Bravo! And everything is corny, contrived and creaky - but I love it just the same.
As far as I'm concerned it's a very pleasant way to fill an hour. If you forced yourself to watch Star Packer and found it dreadful you certainly won't like any of Wayne's other films for Lone Star.
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