Aubrey cons Amy into thinking he's a railroad bigwig. After they marry Aubrey overspends in setting up their home. When their financial situation gets dire they go back to her parents house... See full summary »
Fisherman Dutch marries cannery worker Hattie. He quits his poorly paid job to concentrate on getting better working conditions as union leader. Unfortunately, the union members disagree ... See full summary »
Elizabeth and John say good-bye as John leaves to go to war. When the war ends, Elizabeth receives a telegram that John has been killed in action. She finds comfort in Larry and they marry.... See full summary »
After nearly running over him with her cab, Patty Mitchell picks up a fare who claims to have amnesia. As he fumbles to remember the basic facts of his identity, Patty becomes interested in... See full summary »
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money... See full summary »
Jimmy is drafted and ends up in Fred's troop on his way to Europe. Jimmy becomes vicious with his gun, wins a medal, and weds Fred's nurse girlfriend, Rose. Back home years later, Rose ... See full summary »
W.S. Van Dyke
Two days before Marian and Ned are to be married, he is killed by the husband of a woman he was seeing on the side. Marian becomes withdrawn and they send her to the Canadian Rockies for ... See full summary »
Alfred E. Green,
Aubrey cons Amy into thinking he's a railroad bigwig. After they marry Aubrey overspends in setting up their home. When their financial situation gets dire they go back to her parents house until Aubrey changes his ways and they can get on stable footing. When he loses his job he takes one wearing a sandwich board. After he helps Joe sell his patent for a good price and an old railroad deal comes through, he's back on top and ready to live high on the hog again. Written by
Ed Stephan <firstname.lastname@example.org>
Studio hacks didn't come any hackier than Charles Reisner, and his inept editing, mise-en-scene (how many useless reaction shots can one programmer contain?), and pacing almost sink this adaptation of a hit stage comedy-drama by George Kelly, uncle of Grace. A prosaic screenplay, surprisingly by Herman Mankiewicz, doesn't help. And the title character, a tediously lying blowhard, wouldn't be interesting to watch if Spencer Tracy, at the beginning of a long and profitable association with MGM, weren't playing him. Tracy brings some variety and emotional ballast to this one-note braggart, whom you might expect to be played by that other MGM Tracy of the day, Lee. Spence even makes him--almost--sympathetic by the rather rushed fadeout. Madge Evans, near the end of her too-brief career, is a lovely and womanly leading lady--you buy the devotion between her and Tracy, though nothing about him seems to warrant it--and Clara Blandick gets lots of footage entertainingly grumping about. And it's hardly the finest moment for the great cinematographer James Wong Howe, but he does come up with a couple of arresting compositions, as well as some expert fakery of New York locations in the first reel.
4 of 10 people found this review helpful.
Was this review helpful to you?