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Servants' Entrance (1934)

7.2
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Title: Servants' Entrance (1934)

Servants' Entrance (1934) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
...
Hedda Nilsson aka Helga Brand
...
Erik Landstrom
Ned Sparks ...
Hjalmar Gnu
...
Viktor Nilsson
...
Mrs. Hansen
G.P. Huntley ...
Karl Berghoff
Astrid Allwyn ...
Sigrid Hansen
Sig Ruman ...
Hans Hansen (as Siegfried Rumann)
...
Detective
Catherine Doucet ...
Anastasia Gnu
Greta Meyer ...
Anna, the Cook
Dorothy Christy ...
Mrs. Knut Johnson
Josephine Whittell ...
Christina
Jerry Stewart ...
Olaf, the Butler
Ruth Marion ...
Olga, the Cook
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Storyline

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Plot Keywords:

based on novel | See All (1) »

Genres:

Comedy

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Release Date:

26 September 1934 (USA)  »

Also Known As:

Chiaro di luna  »

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Aspect Ratio:

1.37 : 1
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Connections

Version of Kyökin puolella (1940) See more »

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User Reviews

 
Lubitsch Without Lubitsch
3 July 2006 | by (New York City) – See all my reviews

Samson Raphaelson, one of Lubitsch's favorite screenwriters, tackles the script of this comedy of manners, Frank Lloyd directs and Janet Gaynor stars, ably supported by an excellent cast -- and they pull it off.

First, this is probably Miss Gaynor's most successful venture outside her usual acting vein in the talkies. She's very good at playing hard-working, honest, vulnerable girls. But she starts out with a scene with G.P. Huntley as the two most useless featherbrains in the world that left the tough Museum of Modern Arts audience gasping for breath from laughter, and continues with the plot in place, with the occasional belly laugh that keeps you interested. There are some lovely cameos, including a turn by Ned Sparks that will make you fall out of your chair. Even Lew Ayres, not noted for his comic abilities does a few lovely double takes.

Director Frank Lloyd is thought, nowadays, to have been another competent studio hack, useful enough for big productions like MUTINY ON THE BOUNTY but not for anything that required nuance. Here is one of the films that makes that claim a lie. This is still a comedy of manners, but we can see the Screwball Comedy evolving here, with its dual class warfare/war of the sexes themes.

If you have a chance to see this, do not pass it up.


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