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Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.
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A newspaperman out to get the goods on a crooked politician winds up in jail, framed for a killing he didn't commit. He and another prisoner attempt an escape, but although the newspaperman... See full summary »
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Three shady characters - Larry, Jean, and Dan - want to make money legally by resuscitating a fitness magazine with cheesecake and beefcake photos and salacious stories with tacked-on morals. They hire two recent Olympic champions as editors to give legitimacy: Barbara Hilton, an English diver, and Don Jackson, a U.S. swimmer. When Jackson and Hilton object to the magazine's contents, they send him on a worldwide search for beauty, for youthful paragons of fitness. When Barbara and Don want out of the partnership to start their own fitness farm, the trio hatches a plan to bilk the kids. Can Barbara and Don avoid being conned or will a femme fatale undo their partnership? Written by
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Hey, look, you say this is on the up-and-up? Well, I don't want to spit in no cop's eye. If you're hooked up with this, there's some kind of gazype in it!
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Goofy film about two Olympic athletes (Ida Lupino and Buster Crabbe) who are hired to bring some respectability to a fitness magazine that is using sex as its major selling point.
People who want to see an example of some pre-Code raciness will find much to like about this movie. Its overt treatment of sex as something people actually like instead of something covert that must never be mentioned is by itself enough to make this movie stand apart from the more sanitized films of the succeeding decade. But beyond that, it revels in images of the barely dressed human body, male and female, and includes a shot of bare butts in a men's locker room, and a jaw dropper of a production number in which all of the women are wearing sheer athletic tops with their breasts and nipples clearly visible.
Funny enough, for all of its reputation now as being representative of a certain kind of moral looseness in early 30s films, the movie's attitude about sex is as pure as freshly fallen snow.
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