The Scarlet Letter (1934)In the seventeenth century, in Massachusetts, a young woman is forced to wear a scarlet "A" on her dress for bearing a child out of wedlock. Director:Robert G. Vignola |
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The Scarlet Letter (1934)In the seventeenth century, in Massachusetts, a young woman is forced to wear a scarlet "A" on her dress for bearing a child out of wedlock. Director:Robert G. Vignola |
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| Complete credited cast: | |||
| Colleen Moore | ... | ||
| Hardie Albright | ... | ||
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Henry B. Walthall | ... | |
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Cora Sue Collins | ... |
Pearl
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| Alan Hale | ... |
Bartholomew Hockings
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Virginia Howell | ... |
Abigail Crakstone
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William Kent | ... |
Sampson Goodfellow
(as William T. Kent)
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William Farnum | ... | |
| Betty Blythe | ... |
Innkeeper
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Al O. Henderson | ... |
Master Wilson
(as Al C. Henderson)
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Jules Cowles | ... |
Beadle
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Mickey Rentschler | ... |
Digerie Crakstone
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Shirley Jean Rickert | ... |
Humility Crakstone
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Flora Finch | ... |
Faith Bartle, the Gossip
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At the end of the 17th century a impetuous woman of noble birth but poor arrives in Boston when it was just a village rather than a city. As she is married to an old doctor she tries to change her life. Written by Volker Boehm
Colleen Moore was without doubt one of the best silent actresses, especially in comedy. Her wit, charm and energy were infectious - even in interviews late in life she still shone. How sad it is, therefore, that she retired so young - only 34 - and that she went out on a film such as this one. Not that this is a terrible film - it has some strong moments - and Colleen is actually very good, but it is hardly worthy of her talents and is certainly not a good showcase for them. She plays the tragic single mother in the Puritan community with strength and dignity and is well matched by Hardie Albright who is very strong as her priest-lover. But Colleen is never allowed to be funny - the part is a grim one. How much more suitable she would have been to something like "It Happened One Night". To waste a great talent like hers is appalling.
Ironically the worst thing in this movie is the attempted comic relief with Alan Hale and William Kent playing a couple of buffoons chasing an eligible widow. They really fall flat.