Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't... See full summary »
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In 1159, during an attempted coup, one of the court's ladies in waiting disguises herself as the lord's wife, and a loyal samurai conveys her from the city. This diversion allows the royal ... See full summary »
Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't like her husband, but she likes Russia, and is very fond of Russian soldiers. She dutifully produces a son -- of questionable fatherhood, but no one seems to mind that. After the old empress dies, Sophia engineers a coup d'etat with the aid of the military, does away with Peter, and becomes Catherine the Great. Written by
John Oswalt <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
When the flag is being lowered for the dead empress, we see the flag flapping in the wind but the fake backdrop is flapping also. See more »
Dietrich & Old Russia - A Fascinating Phantasmagoria on Film
An innocent & obscure German princess is sent to Russia to become the wife of Grand Duke Peter, heir to the throne. Her romantic dreams are shattered when she finds her new husband to be a childish imbecile. Quickly growing wise, she soon begins taking lovers from among the military guard. So begins the legendary life of Catherine, Tsarina of Holy Russia, The Messalina of the North, THE SCARLET EMPRESS.
A riotous feast for the eyes, this is one of the great, unheralded films of the 1930's - enthralling for its visual impact alone. Seldom has an American film been filled with such lush imagery
tactile, grotesque, fascinating. The Russian royal palace is
a charnel house full of ghouls & gargoyles - human & artistic. The actors share the scenes with fantastic statuary, twisting & writhing in silent, unspeakable pain. (Notice the tiny skeletons on the dining table.) Everywhere is death, moral decay & barbarism, even in the most powerful court in Europe.
At the center of this ossuary is the gorgeous Marlene Dietrich. Her beauty radiates, but never dominates, throughout the film. She is splendid as a young woman in a very dangerous place, who gains courage & great determination in her ordeal. Equally good is Sam Jaffe as Peter; with his leering grin & demented eyes he is the very picture of a murderous madman.
Louise Dresser, as the Empress Elizabeth, is very effective as a comic bully. John Lodge & Gavin Gordon, as Catherine's military lovers, are both stalwart. Wonderful old Sir C. Aubrey Smith has a small role as Catherine's princely father. Film mavens will spot an uncredited Jane Darwell as Catherine's nurse.
The highly emotional soundtrack, an amalgam of themes by Tchaikovsky, Mendelssohn & Wagner, explodes in the film's final moments into musical pyrotechnics.
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