Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't...
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Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is SternbergÍs surreal and fantastic Carnaval in Spain. In ... See full summary »
Josef von Sternberg
Edward Everett Horton
Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical ... See full summary »
Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't like her husband, but she likes Russia, and is very fond of Russian soldiers. She dutifully produces a son -- of questionable fatherhood, but no one seems to mind that. After the old empress dies, Sophia engineers a coup d'etat with the aid of the military, does away with Peter, and becomes Catherine the Great. Written by
John Oswalt <firstname.lastname@example.org>
The film's on screen title and all on screen credits are presented in lower case. See more »
After Catherine stamps with her foot on the gold locket containing the portrait of Count Alexei, smashing it, she then flings it out of the window. The camera follows it as it falls slowly, glistening in the moonlight, through the branches of the tree outside her window, but it is completely undamaged. See more »
The equine theme running through this bizarre, campy, creepy, cynical, disturbingly beautiful bio-pic is quite significant, given the facts of the life and death of Catherine the Great, culminating in the wildly over-the-top final shot. This movie just drips with European social and sexual decadence, and also with incredibly lavish and languid imagery throughout. Dietrich and von Sternberg seem determined to prove that they could make the transformation of a naive romantic girl into a lascivious power-mad monarch somehow heroic, and also that American audiences would lap it up while denying the depth of the depravity they were embracing. This movie succeeds on every level, especially the subversive one...
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