IMDb > Sadie McKee (1934)
Sadie McKee
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Sadie McKee (1934) More at IMDbPro »


Overview

User Rating:
6.6/10   725 votes »
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Down 71% in popularity this week. See why on IMDbPro.
Director:
Writers:
John Meehan (screen play)
Viña Delmar (based on a story by)
Contact:
View company contact information for Sadie McKee on IMDbPro.
Release Date:
9 May 1934 (USA) See more »
Genre:
Plot:
A working girl's fortunes improve when she marries into money, but happiness is not so easily won. Full summary » | Add synopsis »
NewsDesk:
User Reviews:
Satisfying and trim See more (17 total) »

Cast

  (in credits order) (verified as complete)

Joan Crawford ... Sadie McKee
Gene Raymond ... Tommy Wallace

Franchot Tone ... Michael Alderson

Edward Arnold ... Jack Brennan

Esther Ralston ... Dolly Merrick
Earl Oxford ... Stooge
Jean Dixon ... Opal

Leo G. Carroll ... Phelps Finnegan (as Leo Carroll)

Akim Tamiroff ... Riccori
Zelda Sears ... Mrs. Craney
Helen Ware ... Mrs. McKee
Gene Austin ... Cafe Entertainer
Coco and Candy ... Cafe Entertainers (as Candy and Coco)
Candy Candido ... Candy of 'Coco and Candy' - Bass Player
Otto Heimel ... Coco of 'Coco and Candy' - Guitar Player
rest of cast listed alphabetically:
Norman Ainsley ... Second Butler - at Downstairs Meeting (uncredited)
Hooper Atchley ... Intern with Dr. Briggs (uncredited)
Nellie Bly Baker ... Downstairs Laundress (uncredited)
Jack Baxley ... Short-order Cook (uncredited)
Barlowe Borland ... Brennan's Servant (uncredited)
Wade Boteler ... Second Motorcycle Cop (uncredited)
Harry C. Bradley ... Dr. Taylor - with Dr. Briggs (uncredited)
James Burke ... First Motorcycle Cop (uncredited)
Frederick Burton ... Uncle Snowden (uncredited)
Mabel Colcord ... Brennan's Cook (uncredited)
Frank Conroy ... Dr. Briggs (uncredited)
Nick Copeland ... Automat Diner (uncredited)
Eva Dennison ... Aunt Sara (uncredited)
Florence Dudley ... Chorus Girl in Cafe (uncredited)
Mary Forbes ... Mrs. Alderson (uncredited)
Helen Freeman ... Brennan's Maid (uncredited)
Dick Gordon ... Nightclub Patron (uncredited)

Ethel Griffies ... Woman in Subway (uncredited)
Samuel S. Hinds ... Dr. Branch (uncredited)

Selmer Jackson ... Tiffany Salesman (uncredited)
Mimi Lawler ... Downstairs Maid (uncredited)
Edward LeSaint ... Brennan's Second Doctor (uncredited)
Tom Mahoney ... Policeman at Marriage Bureau (uncredited)
Charles Hill Mailes ... Uncle Ben (uncredited)
Francis McDonald ... Joe - Alderson's Chauffeur (uncredited)
Matt McHugh ... Taxi Driver (uncredited)
Edmund Mortimer ... Nightclub Patron (uncredited)
Lee Phelps ... Brennan's Chauffeur (uncredited)
Wyndham Standing ... Alderson's Butler (uncredited)
Gertrude Sutton ... Brennan's Swedish Maid (uncredited)
Richard Tucker ... Dr. Patrick - with Dr. Briggs (uncredited)
Minerva Urecal ... Brennan's Cook's Assistant (uncredited)
Billie Van Every ... Chorus Girl in Cafe (uncredited)
Walter Walker ... Mr. Alderson (uncredited)
Leo White ... Skinny Waiter (uncredited)
Charles Williams ... Pest in Cafe (uncredited)

Directed by
Clarence Brown 
 
Writing credits
John Meehan (screen play)

Viña Delmar (based on a story by)

Produced by
Lawrence Weingarten .... producer
 
Original Music by
William Axt (uncredited)
 
Cinematography by
Oliver T. Marsh (photographed by)
 
Film Editing by
Hugh Wynn (film editor)
 
Art Direction by
Cedric Gibbons 
 
Costume Design by
Adrian (gowns)
 
Second Unit Director or Assistant Director
Charles Dorian .... assistant director (uncredited)
 
Art Department
Fredric Hope .... associate art director
Edwin B. Willis .... associate art director
 
Sound Department
Douglas Shearer .... recording director
Art Wilson .... mixer (uncredited)
 
Music Department
William Axt .... synchronization (as Dr. William Axt)
Nacio Herb Brown .... songs by
Arthur Freed .... songs by
Wayne Allen .... orchestrator (uncredited)
Maurice De Packh .... orchestrator (uncredited)
 
Other crew
Lucille Day .... stand-in: Joan Crawford (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
93 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
3 Channel Stereo (Western Electric Sound System) (5.0) (L-R)
Certification:
Australia:G | USA:Approved | USA:Passed (National Board of Review) | USA:TV-G (TV rating)

Did You Know?

Trivia:
Part of this movie is used as the golden oldie Joan Crawford is watching as Blanche Hudson in What Ever Happened to Baby Jane? (1962)See more »
Quotes:
Opal:Feeling better?
Sadie McKee Brennan:Yes, thanks to you.
Opal:You're gonna find out about men - -the tripe.
Sadie McKee Brennan:No, thanks. Not interested.
Opal:Swell. They come to my dump to get taken, see? And if you're smart...
[to woman in subway]
Opal:Am I talking loud enough?
Sadie McKee Brennan:I'm kind of sick of men.
Opal:Oh, you're crazy. They've got what we want, all of it. And every gal has her price. Yours ought to be high.
[to woman on subway]
[...]
See more »
Movie Connections:
Soundtrack:
Auld Lang SyneSee more »

FAQ

This FAQ is empty. Add the first question.
13 out of 15 people found the following review useful.
Satisfying and trim, 22 August 2005
Author: hildacrane from United States

I'm a big fan of the Crawford oeuvre, in all its permutations and occasional excesses. That said, her Sadie is refreshingly underplayed and sincere. The mid-Atlantic accent that she tended to is at a minimum here, and there is a fluidity that is in much contrast to the Greek tragic masks, riveting though they are, of some of her later performances. The wonderful Jean Dixon is on hand in a role that is a precursor to Eve Arden's pal of "Mildred Pierce" and "Goodbye My Fancy"--worldly, rueful, self-denigrating. (Mary Phillips took on a similar part in "The Bride Wore Red" several years later.) Esther Ralston does a fine job as the blowsy, sensuous man-stealer--at one point she practically does a Mae West with her intonations and stance. Solid performances also from Franchot Tone and Gene Raymond and the always-reliable, under-appreciated Edward Arnold. The very engaging Earl Oxford appears as "the Stooge" and one wonders why this charmer did not have a film career.

The story is serviceable, and there is a motif of characters' taking responsibility for their lives, and, as best they can, making amends for wrongs. Note that at the start and end of the film there are scenes in which the camera follows a character from one room to the next in such a way that you realize that there is not any real partition between the two rooms--an enjoyable little breaking of the "fourth wall" premise of theater.

Was the above review useful to you?
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