There is a big charity function at the house of Mrs. Cheyney and a lot of society is present. With her rich husband, deceased, rich old Lord Elton and playboy Lord Arthur Dilling are both ... See full summary »
Mary Dugan, a Broadway showgirl, is charged with murder in the knifing death of her wealthy lover, and goes on trial for her life. When her defense counsel appears to bungle his job, Mary's... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
Silky has always moved booze. In prohibition, he smuggled it from Canada, but now that it is legal, he produces his own brand. Seven years before, he sent Doc to prison because Doc was an ... See full summary »
In a hopeful effort to evade gangster Legs Caffey, chorus girl Letty Morris hops a bus in New York bound for Los Angeles--with Legs close on her heels. Along the way the bus picks up ... See full summary »
Park Avenue party-girl Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married on a lark, they live happily in London. He must travel to America on business leaving her home alone. Lord Rexford's aunt invites Mary on a trip to the Riviera where she runs into an old flame, Tommie Treal (Robert Montgomery). Under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes headlines as well as the scandal sheets. None of Mary's explanations can soothe Lord Phillip, his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his lawyer that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief Sky Eagle told ... Written by
Les Adams <email@example.com>
Snow was trucked in from the Sierra Mountains for use in the Alpine scene. See more »
The length and styling of Norma Shearer's hair repeatedly changes from scene to scene and from one sequence to another. See more »
All I needed was that girl.
Listen, you can write her off your next year's income tax as an unavoidable loss.
She trembled! She fluttered!
I know. But she'll flutter just as well tomorrow.
Oh, no, she won't; not her. She's got 'conscience' written all over her face. At this moment, she is cooling off - like some beautiful volcano that has decided not to wipe out a lot of Italian villages.
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Norma Shearer teams up with Robert Montgomery again in "Riptide" which also stars Herbert Marshall as part of a love triangle. There isn't too much special about this, but the beginning scene, with Marshall dressed as an huge insect and Shearer as a spider is very funny. Having just finished Shearer's bio by Gavin Lambert, it speaks of figure problems she had, particularly with her legs, and how hard she worked at being in shape. It paid off. She is absolutely beautiful in this film.
It's always difficult to realize that evidently, Herbert Marshall was once considered a romantic leading man, but given this movie and "Girls Dormitory," which I saw recently, I guess he was. In this, he sweeps playgirl Shearer off of her feet; they marry and have a daughter. After five years of wedded bliss, he goes on a business trip. While he's away, Norma meets old friend Montgomery at a party. He's always been crazy about her. They get drunk, kiss, and she runs for it. The next thing she knows, he's fooling around outside her window and throws himself off of her balcony. Scandal. Hubby comes home to headlines. Doesn't know if he can believe that nothing went on since the scripts hints that she was a slut while she was single. Marriage strained. Etc.
This kind of story is a little hard to take these days, but Shearer and Montgomery are very good. In comparison to their lively performances, Marshall is rather dull - which is the point, so it's appropriate.
The amazing thing about "Riptide" is an appearance by Mrs. Patrick Campbell, a theater icon. She's excellent as Marshall's aunt. I've often wondered if some of the early stage luminaries were as good as everyone claimed, but after seeing Campbell and the Barrymores in film, they sure were. For this reason and because it's pre-code, "Riptide" is worth seeing.
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