Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
Park Avenue socialite Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married as a lark, but she is very happy for several years with her husband and child. But on a trip to the Riviera she meets again an old flame, Tommie Treal (Robert Montgomery), and under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes the headlines and the scandal sheets. None of Mary's explanations can soothe Lord Phillip, reaping the fallout of marrying "down", and his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his secretary that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief Sky Eagle told John ... Written by
Les Adams <email@example.com>
Snow was trucked in from the Sierra Mountains for use in the Alpine scene. See more »
The length and styling of Norma Shearer's hair repeatedly changes from scene to scene and from one sequence to another. See more »
All I needed was that girl.
Listen, you can write her off your next year's income tax as an unavoidable loss.
She trembled! She fluttered!
I know. But she'll flutter just as well tomorrow.
Oh, no, she won't; not her. She's got 'conscience' written all over her face. At this moment, she is cooling off - like some beautiful volcano that has decided not to wipe out a lot of Italian villages.
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