Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her ... See full summary »
Robert Z. Leonard
Rod La Rocque,
With a ruthless gang terrorizing London, Scotland Yard calls Hugh "Bulldog" Drummond out of retirement. With the help of detective Helen Smith, Drummond infiltrates the gang under an ... See full summary »
Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder. Convinced of the youthful thug's innocence, Mason get him acquitted. Later, he... See full summary »
Park Avenue socialite Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married as a lark, but she is very happy for several years with her husband and child. But on a trip to the Riviera she meets again an old flame, Tommie Treal (Robert Montgomery), and under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes the headlines and the scandal sheets. None of Mary's explanations can soothe Lord Phillip, reaping the fallout of marrying "down", and his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his secretary that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief Sky Eagle told John ... Written by
Les Adams <firstname.lastname@example.org>
After Mary kisses Pamela for daddy, the book laying on the bed disappears in the next shot. See more »
All I needed was that girl.
Listen, you can write her off your next year's income tax as an unavoidable loss.
She trembled! She fluttered!
I know. But she'll flutter just as well tomorrow.
Oh, no, she won't; not her. She's got 'conscience' written all over her face. At this moment, she is cooling off - like some beautiful volcano that has decided not to wipe out a lot of Italian villages.
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The opening scene of this film shows Norma Shearer and stuffy Herbert Marshall dressed up as insects for a costume party. This is the highlight of the film - it's all down hill from there. Marshall marries Shearer, even though she plays a woman whose been around the block a few times. Very big of him. Years pass, then he starts worrying about whether Norma is going to start going astray, especially when handsome Robert Montgomery shows up. As the film drags on, Marshall becomes increasingly irritable and short-tempered, while Shearer stands on her head in an effort to please him and live up to the super high pedestal that he has placed her on. The whole business has no credibility. Herbert Marshall made a living in the early 30's playing guys who comes out second to studs like Clark Gable and the like. And so he should. Marshall is a homely stuffed shirt in film after film, and there's no reason why he should ever be the first choice of the gorgeous actresses he played opposite during this time period.
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