Dorothy Hunter is an heiress of untold wealth. She believes no one will love her for herself and not for her money, so she pretends to be her secretary Sylvia while Sylvia pretends to be ...
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Dorothy Hunter is an heiress of untold wealth. She believes no one will love her for herself and not for her money, so she pretends to be her secretary Sylvia while Sylvia pretends to be Dorothy. The real Dorothy, attracted to handsome young Tony Travers, pushes him to fall in love with the fake Dorothy, believing that if he does, it proves he is only after her money. But Dorothy's scheme is too complicated and begins to backfire, leaving everyone, especially Dorothy, confused about who loves whom. Written by
Jim Beaver <email@example.com>
[Knock at the door]
Hey, anybody want to buy a Saturday Evening Post?
I'm working my way through college. Ha! Oh, you didn't know me. Hello, Phillip. Sylvia. John. And you, young lady.
Ohhh, Brandy before dinner.
Oh, I only had a couple. I'd a been here earlier, only I...
Only you came later.
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Thanks to a fine and intelligent script by Norman Krasna and to some very good acting, this is a very entertaining and charming little film, about a "poor" rich girl (sort of Barbara Hutton type), seeking for true, "uninterested" love.
Miriam Hopkins is very good and looks pretty as Miss Dorothy Hunter, "the richest girl in the world", and works very well for the first time (they did four more pictures in the following years) with Joel McCrea, who is thoroughly believable as a regular average guy, being (unknowingly) tested by this heiress, who's pretending to be a secretary.
Beautiful Fay Wray, who had worked with McCrea once in 1932, in the very good chiller "The Most Dangerous Game", also at RKO, is excellent as the heroine's pal and secretary, Sylvia, who has to pass as the millionairess, and old pro Henry Stephenson is just right as Hopkin's Tutor.
This nice little movie (short by to today's standards) has good pacing, real, likeable romance and some funny (not so screwballish)situations, even some pretty racy ones (due to the fact that "married" Sylvia impersonates "single" Dorothy), considering it was made in the 1930s, so I believe it must have been released before the Production Code was fully enforced in 1934.
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