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The Private Life of Don Juan (1934)

Unrated | | Comedy, Drama, Romance | 30 November 1934 (USA)
What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to ... See full summary »

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(play), (story) | 3 more credits »
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Cast

Cast overview, first billed only:
...
...
Antonita, a Dancer of Passionate Temperament
Bruce Winston ...
Manager of The Black Cat
Benita Hume ...
Dona Dolores, a Lady of Mystery
Gina Malo ...
Pepita, Another Dancer of Equal Temperament
...
Rosita, a Maid Pure and Simple
Melville Cooper ...
Owen Nares ...
Antonio Martinez, an Actor as Actors Go
Heather Thatcher ...
Anna Dora, an Actress as Actresses Go
Diana Napier ...
A Lady of Sentiment
Joan Gardner ...
Carmen, a Young Lady of Romance
...
Don Alfredo, Carmen's Poor Husband
Barry MacKay ...
Rodrigo, the Impostor, a Man of Romance (as Barry Mackay)
Claud Allister ...
The Duke, as Dukes Go (as Claude Allister)
Athene Seyler ...
Theresa, the Innkeeper, a Middle Aged Lady of Young Sentiment
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Storyline

What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won't come to her. Meanwhile, an impostor is climbing the balconies of Seville claiming to be Don Juan. When a jealous husband kills him, the real Don Juan sees a way to avoid jail and get some peace. He hides as Captain Mariano in a small town. After six months, he's ready to return to society: can he measure up to the legend, will women find him attractive, and what about Doña Dolores? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

jail | aging | balcony | mourning | diet | See All (37) »

Genres:

Comedy | Drama | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

30 November 1934 (USA)  »

Also Known As:

Don Juan  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Douglas Fairbanks' final film. See more »

Quotes

Dona Dolores, a Lady of Mystery: Tell me, has Don Juan been very tired lately?
Leporello: How did you know?
Dona Dolores, a Lady of Mystery: Ha-ha-ha. No great lover has any secrets from a woman after a year.
Leporello: Dona Dolores, you're bound to win.
Dona Dolores, a Lady of Mystery: I might. But, now I must wait. He'll soon be tired of being tired.
See more »

Crazy Credits

Lengthy, humorous and accurate role descriptions are listed for each character in the opening credits. See more »

Connections

Version of Adventures of Don Juan (1948) See more »

Soundtracks

The Don Juan Serenade
(1934)
(Published in Great Britain with title "Senorita Carmencita")
Music by Mischa Spoliansky
Lyrics Arthur Wimperis
Performed by John Brownlee
Played as background music often
See more »

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User Reviews

Tongue-in-cheek extravaganza
19 August 2010 | by (France) – See all my reviews

Returning old and in debt to Seville, the scene of his youthful triumphs, Douglas Fairbanks Snr as the Don finds a young impostor climbing less adroitly up balconies to get at the city's wives. When the inept lad is run through by a husband, Don Juan enjoys attending his own funeral but is persuaded by Melville Cooper, his sardonic sidekick Leporello, to disappear under an alias to Portugal.

Bored and unsuccessful with women there, he leaves when the even-older owner of the inn, Athene Seyler, proposes. Back in Seville, nobody believes that this strange elderly man is the dead Don Juan and he is universally taken for another impostor, even by old flames.

Among the host of lovely women it is invidious to pick out Merle Oberon as a gloriously seductive dancer Antonita, Benita Hume as his abandoned but still faithful wife Doña Dolores and Binnie Barnes as a gawky barmaid Rosita.

The whole film is tongue-in-cheek, with nobody taking themselves seriously and all acting with Latin extravagance. Picturesque costumes are about 1805, based on Goya's paintings, and there are some ambitious sets. Fine soundtrack throughout, with an opening serenade "Senorita Carmencita" and a running motif of "La Paloma". Good entertainment!


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