What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to ...
See full summary »
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and ... See full summary »
Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his ... See full summary »
A young bride's marital bliss is replaced by shades of suspicion when she suspects that her husband is trying to starve his young son to death in order to claim an inheritance the boy is ... See full summary »
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he ... See full summary »
A charming and very daring thief known as Arsene Lupin is terrorizing the wealthy of Paris, he even goes so far as to threaten the Mona Lisa. But the police, led by the great Guerchard, ... See full summary »
What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won't come to her. Meanwhile, an impostor is climbing the balconies of Seville claiming to be Don Juan. When a jealous husband kills him, the real Don Juan sees a way to avoid jail and get some peace. He hides as Captain Mariano in a small town. After six months, he's ready to return to society: can he measure up to the legend, will women find him attractive, and what about Doña Dolores? Written by
Returning old and in debt to Seville, the scene of his youthful triumphs, Douglas Fairbanks Snr as the Don finds a young impostor climbing less adroitly up balconies to get at the city's wives. When the inept lad is run through by a husband, Don Juan enjoys attending his own funeral but is persuaded by Melville Cooper, his sardonic sidekick Leporello, to disappear under an alias to Portugal.
Bored and unsuccessful with women there, he leaves when the even-older owner of the inn, Athene Seyler, proposes. Back in Seville, nobody believes that this strange elderly man is the dead Don Juan and he is universally taken for another impostor, even by old flames.
Among the host of lovely women it is invidious to pick out Merle Oberon as a gloriously seductive dancer Antonita, Benita Hume as his abandoned but still faithful wife Doña Dolores and Binnie Barnes as a gawky barmaid Rosita.
The whole film is tongue-in-cheek, with nobody taking themselves seriously and all acting with Latin extravagance. Picturesque costumes are about 1805, based on Goya's paintings, and there are some ambitious sets. Fine soundtrack throughout, with an opening serenade "Senorita Carmencita" and a running motif of "La Paloma". Good entertainment!
6 of 6 people found this review helpful.
Was this review helpful to you?