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The Painted Veil (1934)

Passed  |   |  Drama, Romance  |  23 November 1934 (USA)
6.7
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Ratings: 6.7/10 from 841 users  
Reviews: 21 user | 11 critic

A wife neglected by her husband, a medical researcher in China, falls in love with a dashing diplomatic attaché.

Writers:

(screen play), (screen play), 2 more credits »
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Title: The Painted Veil (1934)

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Cast

Complete credited cast:
...
Herbert Marshall ...
George Brent ...
...
...
Herr Koerber
Bodil Rosing ...
Frau Koerber
Katharine Alexander ...
Cecilia Parker ...
Olga
Soo Yong ...
Amah
Forrester Harvey ...
Rest of cast listed alphabetically:
Robert Adair ...
Polo Player (scenes deleted)
Mariska Aldrich ...
German Teacher (scenes deleted)
Maidena Armstrong ...
German (scenes deleted)
...
Bridegroom (scenes deleted)
...
Frau Koerber (scenes deleted)
Edit

Storyline

In Austria, Katrin is lonely after her sister's marriage and she agrees to marry her father's research associate Dr. Walter Fane. Fane takes her to China but constantly ignors her in favour of his medical research. Lonely Katrin has an affair with Jack Townsend of the British Embassy. When it is discovered by Walter he becomes very bitter. Fane travels to fight a cholera epidemic and Katrin goes with him and helps. They grow closer together than ever before but Walter is knifed in a riot incited by the burning of a cholera infested town. Now their new found happiness will depend on Walter's survival. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Taglines:

Do not pass love by...It may never come again!

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

23 November 1934 (USA)  »

Also Known As:

Boyali peçe  »

Filming Locations:

 »

Box Office

Budget:

$947,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Queen Christina (1933) and The Painted Veil (1934), which were both huge hits in Europe (making twice their budget in the UK alone), but were underwhelming US successes. See more »

Quotes

Katrin Koerber Fane: [to Townsend] You seem to be like a Chinese garden fountain... everywhere one turns.
See more »

Connections

Featured in The Divine Garbo (1990) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Played as background music in the wedding scene
See more »

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User Reviews

 
Maugham's story, much improved.
25 October 2009 | by (New York City) – See all my reviews

The best adaptation of Maugham may be "The Letter," but this version of "The Painted Veil," which substantially changes his ending, is very nearly as good-- as subtle, as elegant, and as satisfying as a work of art. Both examine the profound differences and similarities that exist between passion and love, but this film goes deeper, looking at the glory that ensues when, at length, love and passion bloom together.

Much credit goes to William Daniels, who was D.P. for directors from Stroheim to Ichikawa to Bud Yorkin. His framing and silvery lighting give even greater weight to the superb performances by Garbo and the masterful Herbert Marshall. Together Daniels and director Boleslawski allow the two actors to deliver the very affecting and very adult dialog with rare dignity and feeling.

The two kitchen scenes in particular, one in the first sequence, and one near the end, are flawless, and all the better because of being parallels, and because the dialog employs the sheer force of elemental simplicity. In the second scene,when cholera-fighting Marshall finally speaks of his wife's infidelity, he humbly takes some of the blame, saying, "I went blind… a little mad. But if all the men who were hurt simply quit — bad business." Garbo at last begins to understand and replies, "Being in love, and letting it smash things as I have, I thought it had the right of way, I really did." She finally realizes that passion, such as hers for her lover, can be both deeply felt and utterly shallow.

One more note about the visual genius on display. A standard cliché, fireworks,is used to suggest orgasm, but it is done as brilliantly and thrillingly as I've ever seen: eight or nine bursts of sparks shoot into the frame, like nothing so much as ejaculation.


5 of 6 people found this review helpful.  Was this review helpful to you?

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