During World War I, a young nurse in a hospital in German-occupied Belgium is secretly feeding military information to the British. Complicating matters is the guilt she feels when she has ... See full summary »
The story revolves around Pamela, as a woman in late-1800's England who has no intention of marriage and wishes to be her own person. After a great deal of difficulty in finding a job, she ... See full summary »
Oliver Lane is "The Solitaire Man," a renowned jewel thief who is ready to retire and marry Helen, his partner in crime and his one true love. Their plans are shattered when another member ... See full summary »
Harry Ashton is a superstitious gambling house owner, who relies on sprigs of heliotrope as his good luck charm. One day, Harry catches his wife, Cleo with another man. Harry shoots him and... See full summary »
Ewald André Dupont
This is an MGM chick flick, 1934- style. Constance Bennett, a first class actress, is Iris, a penniless heiress (I'm still trying to get my brain around how she and her drunken brother can live so well despite their circumstances... they have servants who work whilst politely grumbling over not being paid) who loves the Napier, (Herbert Marshall) son of a prominent English family with interests in India. His father (Henry Stephenson) bans their marriage and each goes off in different directions while carrying awfully large torches for each other. My problems with the production: 1) Marshall is ill-fitted as the somewhat spineless son--- he's 44 here (!) 2) Stephenson is a real one-dimensional turd until the big revelation. 3) The ending (I won't give it away, but it doesn't really fit with Iris' temperament). Connie Bennett ranks (along with Kay Francis and Bebe Daniels) as one of the most underrated actresses around and is always fascinating to watch... even in pedestrian soap like this.
3 of 3 people found this review helpful.
Was this review helpful to you?