Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play. As the stories unfold, a dual ... See full summary »
OUR DAILY BREAD is a wide-screen tableau of a feast which isn't always easy to digest - and in which we all take part. A pure, meticulous and high-end film experience that enables the audience to form their own ideas.
Claus Hansen Petz,
The highlights of a 12-hour interview with Aaron Payne, alias Jason Holliday, a former houseboy, would-be cabaret performer, and self-proclaimed hustler who, while drinking and smoking ... See full summary »
Young Leon Kanter dreams of being a great violinist. His parents scrape up the money for a violin and for lessons, and Leon rewards them by becoming a great player. But as an adult, Leon ... See full summary »
In this George Pal Puppetoon (production number U5-6), John Henry (voice of Rex Ingram), legendary figure of American folklore, goes to work for the C.& O. Railroad, which, shortly ... See full summary »
John and Mary sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community - a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships - drought, vicious raccoons and the long arm of the law - but ultimately pull together to reach a bread-based Utopia. Written by
American Film Institute Catalog of Feature Films 1931-1940 credits C.E. Anderson in the role of "blacksmith"; actually he plays the butcher who trades John a scrawny chicken for his ukulele. See more »
Don't worry Mary. I know things are hard now but we'll make it in the end.
But how, John? Who's going to save us?
Not who, Mary, what. The bread will save us, the bread.
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Ponderous, though well-meaning, socialist propaganda piece. Features lots of "let's all get together and form a collective!" speechifying, creaky romantic complications, and wooden characterizations by non-professionals acting very self-consciously (the "pros" aren't any better). However, in the final section of the film (the digging of the irrigation canal), things spring gloriously to life, and the joy and drama of collective effort, that the movie has been preaching to us for over an hour, is simply SHOWN (to great dramatic effect). Would have made a terrific short. 5/10
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