Because his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Conneecticut. While he is finding a theme for ... See full summary »
In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces ... See full summary »
OUR DAILY BREAD is a wide-screen tableau of a feast which isn't always easy to digest - and in which we all take part. A pure, meticulous and high-end film experience that enables the audience to form their own ideas.
Claus Hansen Petz,
A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new ... See full summary »
Viktoria von Ballasko,
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ... See full summary »
Daniel L. Haynes,
Nina Mae McKinney,
John and Mary sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community - a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships - drought, vicious raccoons and the long arm of the law - but ultimately pull together to reach a bread-based Utopia. Written by
Irving Thalberg, production chief at MGM, Vidor's home studio, would not back the project. Charles Chaplin was interested in the film and was able to secure a United Artists release for it. Unfortunately banks were reluctant to back a film with that subject matter. See more »
Don't worry Mary. I know things are hard now but we'll make it in the end.
But how, John? Who's going to save us?
Not who, Mary, what. The bread will save us, the bread.
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Boy, is this film interpreted differently, depending on which critic is discussing it. Overall, however, most of them - including me - like this movie and find it interesting.
Today's critics like to use this film as a boost for socialistic or Commununstic causes, but that's baloney. One could easily do the opposite and use this film as an analogy to the early Christians, too - people who banded together pooling their talents and possessions for the good of the whole group.
This was a simply of story of America during the Great Depression with a bunch of people out of work, so they try to make a living by turning themselves into farmers and making a go of it together.
Tom Keane and Karen Morley star in here, playing husband-and-wife. Morely played a very upbeat, sweet lady who was joy to watch. Keane's acting was strange. At times it bordered on raw amateurism. He also looked, with the wild expressions, as if he were back doing a silent film.
The rest of the cast was solid, from the Swedish farmer to the tough guy who turned himself in to the police to help the rest of the group. Overall, a good film and worth watching, whatever your politics.
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